dinerâs patrons without their posing for me. I had been watching them carefully anyway, picking up the outlines of their lives, which I would fill in in my spare time with my imagination.
For example, there was Rose, the blond woman who came for lunch on Fridays after having her hair done. She wore expensive linen suits and classic shoes and a diamond wedding band. She carried a Gucci pocketbook and she kept her money in order: ones, fives, tens, twenties. Once, she brought in a balding man, who held her hand tight throughout the meal and spoke in Italian. I pretended this was her lover, because everything else in her life seemed so picture perfect.
Marco was a blind student at the Kennedy School of Government, who wore a long black overcoat even on the hottest days in July. He had shaved his head and wore a bandanna around it, and heâd play games with us. What color is it? heâd ask. Give me a clue. And Iâd say something like âMcCarthy,â and heâd laugh and say Red. He came in late at night and smoked cigarette after cigarette, until a gray cloud hovered at the edge of the ceiling like an artificial sky.
But the one I watched most was Nicholas, whose name I knew only because of Lionel. He was a medical student, which explained, Lionel said, his odd hours and the fog he was always in. I would stare at him point-blank because he never seemed to notice, even when he wasnât reading, and I tried to figure out what was so confusing about him. I had been at Mercy exactly two weeks when I figured it out: he just didnât fit. He seemed to gleam against the cranberry cracked vinyl seats. He held court over all the waitresses, holding up his glass when he wanted a refill, waving the check when he wanted to pay, and yet none of us considered him to be condescending. I studied him with a scientistâs fascination, and when I imagined things about him, it was at night on Dorisâs living room couch. I saw his steady hands, his clear eyes, and I wondered what it was that drew me to him.
I had been in love in Chicago, and I knew the consequences. After all that had happened with Jake, I was not planning to be in love again, maybe not ever. I didnât consider it strange that at eighteen some soft part of me seemed broken for good. Maybe this is why when I watched Nicholas I never thought to draw him. The artist in me did not immediately register the natural lines of him as a man: the symmetry of his square jaw or the sun shifting through his hair, throwing off different and subtler shades of black.
I watched him the night of the first Chicken Doodle Soup Special, as Lionel had insisted on calling it. Doris, who had been working with me since the lunch rush, had left early, so I was by myself, refilling salt shakers, when Nicholas came in. It was 11:00 P.M., just before closing, and he sat at one of my tables. And suddenly I knew what it was about this man. I remembered Sister Agnes at Pope Pius High School, rapping a ruler against a dusty blackboard as she waited for me to think up a sentence for a spelling word I did not know. The word was grandeur, e before u. I had stood and hopped from foot to foot and listened to the popular girls snicker as I remained silent. I could not come up with the sentence, and Sister accused me of scribbling in the margins of my notebook again, although that was not it at all. But looking at Nicholas, at the way he held his spoon and the tilt of his head, I understood that grandeur was not nobility or dignity, as Iâd been taught. It was the ability to be comfortable in the world; to make it look as if it all came so easily. Grandeur was what Nicholas had, what I did not have, what I now knew I would never forget.
Inspired, I ran to the counter and began to draw Nicholas. I drew not just the perfect match of his features but also his ease and his flow. Just as Nicholas was digging in his pockets for a tip, I finished and stepped back to view the
Robert & Lustbader Ludlum