was overcome with the desire to smash something. The clenched lis! 1 rembled above the fortress, but he controlled himself, stood up and wcut out to the balcony where he grabbed the railing, shaking it.
A dog was running around in circles down there, barking. Mahler would have liked to be doing the same thing.
When in trouble, when in doubt
Run in circles, scream and shou t.
He looked out over the railing, saw himself fall, split wide open against the ground like an overripe melon. The dog would maybe come over and start to gnaw at him. This thought made the act more tempting. To end his days as dog food. But the dog would probably not even notice, it seemed hysterical. Someone was probably coming to shoot it soon.
He pressed his hands to the sides of his head. It would probably split open anyway if the pain continued to escalate like this.
It was a little after half past ten when Mahler realized that he probably did want to live after all.
He had suffered his first attack eight years ago, when he was out interviewing a fisherman who had caught a corpse in his net. When they stepped ashore from the trawler, the light had all of a sudden dimmed, shrinking to a point, and then Mahler couldn't remember anything more until he woke up lying on a pile of nets. If the fisherman had not been proficient in CPR, Mahler's troubles would have been over.
A doctor had told him that he had chronic myocarditis and needed a pacemaker to stabilise his heart. During that time Mahler had been so depressed that he'd considered taking his chances with death, but he had had the operation in the end.
Then Elias came along and Mahler finally found a reason for even having a heart after all these years. The pacemaker had ticked along faithfully and allowed him to play grandpa as much as he wanted.
But now ...
Beads of sweat broke out along his hairline and Mahler pressed his hand over his heart; it was beating twice as fast as normal. Somehow his heart was managing to duck out from under the steady beat of the pacemaker and race off on its own. Under his hand, Mahler felt his pulse increase even more.
He put his fingers on his wrist, looked at the alarm clock and counted the seconds. He timed himself at 120 beats per minute, but he wasn't sure that was correct. Even the second hand on the clock appeared to be moving faster than usual.
Calm down ... calm ... it will pass.
He knew that this kind of heart spasm was not dangerous in itself as long as it did not become too extreme. It was the worry, the anxiety that did the damage. Mahler tried to breathe calmly while his heart raced faster and faster.
Then he had a thought. He placed his fingers over the pacemaker, the metal box just under his skin that was guarding his life. He couldn't tell if it was going faster than normal, but he suspected that's what was happening: the same thing that was happening to the clock.
He curled up in a foetal position on the couch. The pain was going to split his head open, his heart was racing insanely and to his own surprise he saw that he did not want to die. No. At least, he did not want to be killed by a machine whipping up his heart until it burst. He looked up and squinted at the computer screen. Even that had become more intense, and all the icons were engulfed in shining white light.
What should I do?
Nothing. He should do nothing that would strain his heart any more. He sank back again, resting his hand over the muscle of life. His heart was beating so quickly now that he could not make out the different pulses, it was a drum roll from the land of the dead increasing in tempo, and Mahler closed his eyes and waited for the climax.
Just as he thought the drum skin was going to burst and vision close in, like that other time, it was over.
The heart palpitations eased back to the old, deliberate rhythm.
He lay completely still with his eyes closed, then breathed in deeply and felt his face as if checking that he was still