you add my dog?â she interrupts.
âOf course,â he says. âDo you want to bring her out?â
âSheâs at the vet.â
Pastor Frank smiles and gives her hands another squeeze. He speaks softly, almost in a whisper. He asks God to keep watch over sweet littleâwhatâs the dogâs name?âto watch over sweet little Shirley Temple. âLord,â he says, âwe praise all the beauty in Your creation, the fish and the birds and the turtles and the squirrels and the cats and the dogs and even the possums.â
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The wailing at night does not stop. A neighbor calls to complain about the noise, and Mawmaw blames the television, her badhearing. She tries a night-light in the laundry room. She tries stuffing towels under all the doors to muffle the sound. She prints out pictures of the tundra and other mammoths and tapes them to the walls. Some nights, half asleep, Mawmaw worries that the noise is emanating from within the catacombs of her own body. Opening her mouth she half expects the cries to amplify. She is able to sleep only in spurts. She dreams that Shirley is her guide through a world of snow and ice and unidentifiable landscapes. Every direction looks the same, but Shirley knows the way. Where they are going is important, but in the morning Mawmaw can no longer remember why.
One night, she gives the mammoth three pills. The next night, four. But, no matter the dosage, they donât seem to have any effect.
âWhat is it?â she asks, downstairs again, desperate, the lights flipped on. âWhat do you need from me? Is this mating season? Iâm sorry to tell you this, but you got no one to mate with. Youâre on your own. You got to hush up. Iâve tried everything I know to try. Iâm going out of my mind.â She steps backward into the hall, the door to Shirleyâs room still open. âIs this what you want? You want out? Here.â She opens the door to the backyard. âDo whatever you need to do.â
She stomps back up the stairs and climbs into bed. A little after midnight, thank God, the cries downstairs finally stop.
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What wakes her in the morning isnât a noise but a light. Bands of gold and yellow sunlight crawl slowly across the end of herbedspread. Sheâs quite certain no morning has ever gleamed in this particular way. She feels like sheâs been asleep for a thousand years.
Only once sheâs on the stairs in her bathrobe and slippers does she remember leaving all the doors open for Shirley. The mammoth isnât in the laundry roomâor anywhere else in the house.
âCome on out, wherever you are. Donât play tricks on me.â
She steps outside into the sunlight and peeks under the edge of the porch, just in case Shirley managed to squeeze herself underneath. The far corner is where the dog went to be alone in the end. But the mammoth is not there. Nor is it anywhere in the yard or the dog pen. Shirley has escaped.
Of course, thereâs no one to call for help but Tommy. His voice mail picks up after a few rings.
âCall me back. Itâs about Shirley,â she says vaguely.
As soon as she hangs up, she regrets the message. Her son doesnât need to be involved, not if his solution is poison-laced candy or a bop on the head with the shovel. An unsettling image begins to take shape: her Tommy, no longer handsome but totally devolved, a swollen cavemanâs brow, hunting spear in his grimy hand, bits of broken leaves in his long and matted hair.
She climbs into her car and drives up and down the block, too afraid to actually yell out Shirleyâs name. Two streets over she spots a hulking shape beside a brick house, but when she gets closer the shape is only some yellow pampas grass. On a cul-de-sac, a white-haired man in a blue tracksuit is walking his Jack Russell terrier. The sight of the