out the window at the scenery rushing by. But that motion reminded me of the Bee Train and of my last date with Nora, so I closed my eyes.
"Nora is at Slate Gardens," said Joelene. "For cold baths, mud, and mourning."
I refused to look at the photos or her family's publicity release. Joelene read part of it aloud, and it sounded like something a phalanx of lawyers had produced. I counted the word regrettably five times.
As the car exited the Loop, the super highway that only the upper echelon of the families could use, and we wound our way through the baking desert southwest, my feelings shifted from despair to anger. Of course it wasn't Mr. Gonzalez-Matsu, nor was it as Joelene had said, a terrible and inopportune breach. It was Father! It was his ineptitude, his incompetence, and his dreadful strategies. Like so much of what had gone wrong in my nineteen years, it was all his fault.
The access road began to rise above the garish city of Ros Begas, into the Rockies where a valley had been dug in a mountain and the RiverGroup compound had been built. Just as the car came to the top of the lip and started down, a ray of sunlight glinted off the huge glass dome that protected the buildings from the sun, the insects, and the carbon dioxide. Beneath stood the dozen mismatched buildings that made up our little city. Some were windowless warehouses with flat roofs. Several were covered with wooden shingles as if they were trying to be old-fashioned ski lodges. Around the edge were smaller office buildings. Most were glass; a few had metal skins, one was stone. Dead center, sat the black and gold, now abandoned, PartyHaus, with its wide stairs, Ionic columns, and crumbling friezes.
As the car slowed before the garage, I could see attendants, cooks, maids, and workers running toward us. Some were wailing and crying as if I were a coffin containing myself. They clustered around the car, and as I exited, I said, "Thank you. I'm fine. I'm fine, everyone."
Joelene jumped in front to shield me as a tall orange family satin with a golden visor subdued a maid who was tearing off her clothes to expose a complicated set of sharp-looking bands and wires across her chest and crotch. "I'm the one, Michael. It's me. I'm the one who really loves you!"
Years ago, when I danced, I told myself I enjoyed these hopeless displays, like the time an army of teenage girls, dressed in lanolin wools, marched up from the valley, surrounded the compound and demanded all my dancing outfits, toiletries, shaven hairs, and a week's worth of excretions. Now, all of it embarrassed me. As the woman was taken away, Joelene and I hurried in the other direction to my building.
Before my heart attack, my house had been rather like an enormous egg carton inside, with a dozen different rooms. The floors of each room were speaker heads and the place reverberated day and night with heavy bone-jarring thuds and squealing highs. Besides the music, each room was decorated with a theme, like the blinding red light room and the dead lamb room. When I demanded to be taken from the PartyHaus to somewhere quiet and dim, the place had been gutted. Over time, I had decorated and now it had polished muslin walls, black iron floor tiles, and just a few upholstered pieces sat here and there. Two surveillance cameras, little more than black bugs, were mounted on the walls. And while they were there for my safety, I had positioned my bed, desk, and couch out of their range.
Once we were inside and Joelene had shut the cast-iron front door, I felt like I wanted to get in bed and bury myself beneath a hundred layers of wool. I started toward my bed only to jump back in surprise. My mother lay there.
She was a few years younger than father and had at least as much surgery, but seemed older. Her skin was dark and had a leathery quality. Last time I saw her, a year ago, her hair had been long, straight, and hung to her waist. This time it was frizzed like a giant tumble weed and dyed a