Gone for Good
tongue-in-cheek you'd expect your television to smirk at you. As time went by, I grew quieter in my defense of Ken. Selfish as this might sound, I wanted a life. I wanted a career. I didn't want to be the brother of a famous murderer on the run.
    Covenant House, I'm sure, had reservations about hiring me. Who would blame them? Even though I'm a senior director, my name is kept off the letterhead. I never appear at fund-raising functions. My job is strictly behind-the-scenes. And most of the time, that's okay with me.
    I looked again at the picture of a man so familiar yet totally unknown to me.
    Had my mother been lying from the beginning?
    Had she been helping Ken while telling my father and me she thought he was dead? When I think back on it now, it was my mother who had been the strongest proponent of the Ken-dead theory. Had she been sneaking him money the whole time? Had Sunny known where he was from the start?
    Questions to ponder.
    I wrested my eyes away and opened a kitchen cabinet. I'd already decided that I wouldn't go out to Livingston this morning the thought of sitting in that coffin of a house for another day made me want to scream and I really needed to go to work. My mother, I was sure, would not only understand but encourage. So I poured myself a bowl of Golden Grahams cereal and dialed Sheila's work voice mail. I told her I loved her and I asked her to call me.
    My apartment well, it's our apartment now is on 24th Street and Ninth Avenue, not far from the Chelsea Hotel. I usually walk the seventeen blocks north to Covenant House, which was on 41sttreet, not far from the West Side Highway. This used to be a great location for a runaway shelter in the days before the cleanup of 42nStreet, when this stretch of stench was a bastion of in-your-face degradation. Forty-second Street had been a sort of Hell's Gate, a place for the grotesquely amative intermingling of species. Commuters and tourists would walk past prostitutes and dealers and pimps and head shops and porno palaces and movie theaters, and when they'd reach the end, they'd either be titillated or they'd want to take a shower and get a shot of penicillin. In my view, the perversion was so dirty, so depressing, it had to weigh you down. I am a man. I have lusts and urges like most guys I know. But I never understood how anyone could confuse the filth of toothless crack heads for eroticism.
    The city's cleanup, in a sense, made our jobs harder. The Covenant House rescue van had known where to cruise. The runaways were out in the open, more obvious. Now our task wasn't as clear-cut. And worse, the city itself wasn't really cleaner just cleaner to look at. The so-called decent folk, those commuters and tourists I mentioned before, were no longer subjected to blacked-out windows reading ADULTS ONLY or crumbling marquees announcing pun-porn titles like SHAVING RYAN'S PRIVATES or BONFIRE OF THE PANTIES. But sleaze like this never really dies. Sleaze is a cockroach. It survives. It burrows and it hides. I don't think you can kill it.
    And there are negatives to hiding the sleaze. When sleaze is obvious, you can scoff and feel superior. People need that. It's an outlet for some. Another advantage to in-the-open sleaze: Which would you rather face an obvious frontal assault or a snakelike danger gliding through the high grass? Finally and maybe I'm looking at this too closely you can't have a front without a back, you can't have an up without a down, and I'm not sure you can have light without dark, purity without sleaze, good without evil.
    The first honk didn't make me turn around. I live in New York City. Avoiding honks while strolling the avenues was tantamount to avoiding water while swimming. So it was not until I heard the familiar voice yell "Hey, asshole" that I turned around. The Covenant House van screeched alongside me. Squares was the driver and sole occupant. He lowered the window and whipped off his sunglasses.
    "Get in," he said.
    I opened the door
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