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maintaining a perfect shooting position. I was amazed at how soldierly she could act, her posture perfect in formation drills, her impeccable bed-making winning her titles in the internal-affairs contest. Anyone could see her mind was elsewhere, but the military life seemed to provide endless amusements for her; she never misbehaved, and she was among the few who hadn’t received any public humiliation. I turned my head slightly, still resting my right cheek on the stock but looking at Nan rather than the target. Her uniform cap was low on her eyebrows, and in the shadow of the cap she squinted with a smile, singing in a very low voice.
    “The Last Rose of Summer,” she told me when I asked her about the song during the break. Nan was a small girl and looked no more than thirteen years old. She had joined a famous children’s choir when she was six, and when the other children her age had entered middle school and left the choir, she had remained because she liked to sing, and she could still pass for a young child. When she reached sixteen, the choir changed its name from “children’s choir” to “children and young women’s choir.” She’d laughed when she told us about it. Would she go back to the choir? one of the girls had asked her, and she’d thought for a moment and said that perhaps after the army she would have to find some other hobbies. One could not possibly remain in a children’s choir all her life, she’d said, though she seemed to me the kind of person who could get away with anything she set her heart on. I could imagine her still singing at twenty or thirty among a group of children, looking as young and innocent as them—though this I did not tell Nan. We were friendly toward each other, but we were not friends, perhaps the only two in our platoon who hadn’t claimed a close friend eight weeks into the military life. I did not see the need to have someone next to me when I took a walk around the drill grounds after dinner for the fifteen minutes of free time; nor did I need to share my night-watch duty with a special friend, so I was often paired with leftover girls from the other platoons—girls like me who had no one to cling to—and it suited me well to spend half a night with someone as quiet as I was in the front room of the barracks, dozing off in two chairs set as far apart as possible.
    Nan was a different case. She was friendly with everyone, including the officers and the conscripts in the cooking squad, and was courted by quite a few girls hoping to become her best friend. You could see that she was used to such attention, amused even, but she would not grant anyone that privilege. Even our squad leader, who had become a favorite of the officers with her increasingly militant treatment of us, was unwilling to assign the most dreadful duties—cleaning the toilets, or the pigsties—to Nan. A less gracious person than Nan would have been the target of envy, yet she seemed untouched by any malignancy.
    One girl, overhearing our conversation, asked Nan to sing “The Last Rose of Summer.” Nan stood up from where we were sitting in a circle and flicked dried grass and leaves from her uniform. Her voice seemed to make breathing hard for those around her; her face, no longer appearing amused, had an ancient, ageless look. I wondered what kind of person Nan was to be able to sing like that—she seemed too aloof to be touched by life, but how could she sing so hauntingly if she had not felt the pain described in those songs?
    The shooting range was quiet when Nan finished singing. A bumblebee buzzed and was shooed away, and in the distance, perhaps over the hills where a civilian world could not be seen, a loudspeaker was broadcasting midday news, but we could not hear a word. After a while, a girl from another platoon who had sneaked away from her squad to join our circle begged Nan to tell us something about her trips abroad. Apart from Nan, none of us had traveled abroad—none