deep sigh, every tear that has plopped onto my desk. He knew when I had spent the entire day crafting an email to Matthew instead of working on copy. He heard me break down when I called my realtor to ask how exactly I would go about getting my name off my own deed. He pretended not to notice the time I broke down sobbing at my desk after someone wandered past our office whistling INXSâs âNever Tear Us Apart.â
The first time I apologized for my behavior was the only time he allowed it. âIâve been through this before, Charlotte,â he said. Heâs on his second marriageâone that he says âlooks to be sticking.â I havenât met her, but from the picture on Jonathanâs desk, she seems fake. I donât mean that as an insult, I mean she looks like Jonathan designed her. He ordered up the pretty, skinny, blonde with the white teeth, pill-free sweaters, and arms-that-never-flap. Even her name is too much.
Cassandra
. Whoâs named that, honestly? Noteven Cassie or Cass. Sheâs so pretty that people still call her by her full name.
Cassandra.
People call me Char. Like someone whoâs been scorched.
Actually, people around here have apparently taken to calling me The Ghost. Thatâs what Jonathan told me the other day. Frankly, I think thatâs a better name for the tiny girl down the hall with the sullen face who always dresses like sheâs just come back from a funeral. Francesca is her name. Which, come to think of it, is exactly what youâd call the tiny Goth girl down the hall with the sullen face and funereal clothes. She gets to keep her name, too. The gorgeous and the pseudo-tragic, they get to own their elaborate, fancy full names. Not me. Jonathan said even sad-faced Francesca calls me The Ghost. That canât be good. When youâre bumming out people who spend all day intentionally trying to look sad, you must look pretty damn pathetic.
â¢Â   â¢Â   â¢
As soon as I remember that my mother called this morning, I try to forget it. For a fraction of a second it starts to work. I almost rewrite the morning away, changing it into a completely different experience. This morning I got up, jumped out of bed, went to the gym . . . and then on my way to work I saved a child from being hit by a car. Something fantastically honorable and noble like that, something that would either excuse or erase the fact that the truth is Iâm the kind of girl who lets her motherâs phone call go to voice mail and then completely forgets about it for the next three or four hours.
I canât rewrite the truth away. I have to check my voice mail.
I do it with my eyes closed, as this somehow shelters mefrom harm. Because itâs not just a phone message from my mother. It is a reminder that no matter how much of a victim I might try to play sometimes, thereâs no escaping the fact that I am a terrible person.
Charlotte Goodman
is
a terrible person. Only a terrible person would leave her husband and not tell her mother about it. Thatâs right. Charlotte Goodmanâs own mother doesnât know that her daughter is probably about to get a divorce. Worse than that, Charlotte is the kind of rotten daughter who will lie to her mother, to her face, and act like she still lives in the house where she hasnât been in months.
In her defense, the only person possibly more terrible than Charlotte Goodman is Elaine Goodman, the woman who raised her. This is because Elaine has two emotional settings: none and all.
When Charlotte didnât make the high school cheerleading team, Elaine got rid of Charlotteâs beloved dog, Shoelace, blaming the pet as a distraction from her daughterâs future.
For most mothers, a daughterâs engagement is cause for celebration. Not so with Elaine Goodman. When her daughter got engaged, Elaineâs first reaction was to say, âOh, thank God. I truly feared the only time