is the way to go. I havenât told either best friend about it. Karl knows there is a book, but not what the bookâs about. Maybe I wonât tell anyone until itâs finished.
Because, for now, Iâm thinking this book is a pretty good idea. A valuable social resource, a clever book + music marketing concept. Or, itâs what my elementary school art teacher was trying to warn my mother about after I made Michael Jacksonâs head out of papier-mâché. âEliza has so much creative potential,â she said, sighing. âI just worry about how sheâs choosing to harness it.â
2
celebrities
SIDE B
âAll I NeedââJack Wagner
âI Would Die 4 UââPrince
âJessieâs GirlââRick Springfield
âHungry Like the WolfââDuran Duran
âIâm Your ManââWham!
M y first bout of rock-star love struck when I was ten years old. When youâre ten, unlike when youâre twenty-six, having a crush on a rock star doesnât make you weird. Everybodyâs doing it. Youâre supposed to be doing it. Itâs the grade-five, peer-pressure equivalent of smoking pot or having sex in high school.
My crush was on Jack Wagner. His rugged blond face coated every inch of my bedroom ceiling, door, and walls. Jack lived a double life: musician by night, soap star by day. At three every afternoon, I watched him as Frisco Jones on General Hospital. Later, when my parents started their nightly round of arguingâMomâs needly jabs, Dadâs weary dismissalsâI locked my bedroom door and plugged my ears with headphones, trying to ignore the word âdivorceâ that buzzed around me like a gnat.
âDivorceâ was the word in garish red letters on pamphlets in the guidance office. âDivorceâ was the point of ABC After School Specials and Judy Blumeâs Itâs Not the End of the World. âDivorceâ was what happened to kids whose parents fought too much, like Jenny Sousaâs, whose dad moved to Acapulco to sell baseball caps on a beach. Balled in my bed, I closed my eyes and drowned my worries in the sounds of the greatest mix tape ever made: two sides of back-to-back Jack Wagnerâs âAll I Need.â
The beauty of â80s music was this: rock stars werenât afraid to speak their feelings. Back then, it wasnât corny. It wasnât suspicious. It wasnât desperate. Men could spill their guts in a flood of synthesizers, cymbals, A-B-A-B rhyme schemes and long notes high as womenâs. They were genuinely impassioned as they âbrought ships into shore,â âthrew away oars,â and âmade love out of nothing at all.â Even heartbreak was delivered with a bravado that seems almost comical to me now. As a grown-up, I find that kind of openness terrifying. But in 1984, it was acceptable, even desirable, and it was the way I loved Jack Wagner: with confidence, fearlessness, and a T-shirt bearing a steam-ironed decal of his sultry face.
âWhatâs that?â my mother pounced, the first time she saw it.
She was sitting at the kitchen table painting her nails a frosty blue from one of the numerous bottles she kept in the refrigerator door, wedged discreetly among the sweet relish and Italian dressing. Very Violet. Magic of Magenta. Her hair was, as usual, sprayed and coiffed into a perfect ball. She was wearing a short-sleeve white sweater with pants and jewelry all in matching teal. My mother is a woman greatly concerned with appearances.
âItâs Jack,â I said, cool as a cucumber, heading for the back door.
âHold it!â She stood up and stuck one leg out, aiming her blue pump at the door. I think the woman was prepared to physically bar me from being seen in public. âWho?â
âJack Wagner,â I said, and sighed upward so my bangs fanned out, my newest and coolest move. âHeâs a rock