precariously on top of a dresser. A small refrigerator sat on the floor nearby.
“I have an electric kettle,” Julia said brightly, as if she was announcing the fact that she had a diamond from Tiffany’s.
He noticed the water that was continuing to stream off her, then he began to notice the clothes that were under the water, and then he began to notice what was under her clothes, because it was cold…and he hastily and somewhat huskily suggested that she forego making tea in order to dry herself.
Once again her head tipped down, and she flushed before ducking into the bathroom and grabbing a towel. She emerged a few seconds later with a purple towel wrapped around her upper body over her wet clothes and a second towel in her hand. She moved as if she was going to crawl across the floor to clean up the trail of water she’d scattered from the door to the center of the room, but The Professor stood up and stopped her.
“Allow me,” he said. “You should change into some dry clothes before you catch pneumonia.”
“And die,” she added, more to herself than to him as she disappeared into her closet, trying not to trip over two large suitcases.
The Professor wondered briefly why she hadn’t unpacked yet but dismissed the answer as unimportant.
He frowned as he cleaned the water from the worn and scratched hardwood. When he’d finished, he looked at the walls and noticed that they had probably been white once, but were now a dingy cream color and were blistered and peeling. He inspected the ceiling and found several large water stains and what he thought might be the beginning of mold in one of the corners. He shuddered, wondering why on earth a nice girl like Miss Mitchell would live in such a terrible place. Although he had to admit that the apartment was very clean and quite tidy. Unusually so.
“How much is your rent?” he asked, wincing slightly as he accordioned his six foot two frame in order to perch once again on the vile thing that masqueraded as a folding chair.
“Eight hundred a month, utilities included,” she called to him just before she entered the bathroom.
Professor Emerson thought with some regret of the Armani trousers he had disposed of after the flight back from Pennsylvania. He couldn’t bear the notion of wearing something that had been soaked in urine, even if it had been cleaned, so he’d just thrown them out. But the money Paulina had spent on those trousers would have paid Miss Mitchell’s rent for an entire month. And then some.
Looking around the small studio, it was both painfully and pathetically clear that she had tried to make it into a home, such as it was. A large print of Henry Holiday’s painting, Dante meets Beatrice at Ponte Santa Trinita , hung to the side of her bed. The Professor imagined her reclining on her pillow, her long, shiny hair cascading around her face, gazing over at Dante before she fell asleep. He dutifully put that thought aside and reflected on how strange it was that they both owned that painting. He peered at it and noticed with surprise that Julia bore a remarkable resemblance to Beatrice—a resemblance that had previously gone unnoticed. The thought twisted in his mind like a corkscrew, but he refused to dwell on it.
He noticed other smaller pictures of various Italian scenes on the peeling walls of the apartment: a drawing of the Duomo in Florence, a sketch of St. Mark’s in Venice, a black and white photograph of the dome of St. Peter’s in Rome. He saw a row of potted herbs gracing the window sill along with a single cutting from a philodendron that she was apparently trying to nurse into a full grown plant. He observed that the curtains were pretty—a sheer lilac that matched the bedspread and its cushions. And her bookshelf boasted many volumes in both English and Italian. The Professor scanned the titles quickly and was but mildly impressed with her amateurish collection. But in short, the studio was old, tiny, in poor repair,