Bobbyâs high little voice calling out âGiddyap!â A stooped-over Perlmutter came into the room with Bobby riding on his shoulders.
Fairchild stood up and went to meet them. âSo, youâve found a new horse, have you?â He lifted Bobby off Perlmutterâs shoulders and placed him on his own.
Perlmutter straightened up. âThanks,â he said in relief.
Bobby pointed a finger at Marian. âUncle Alex, Mary Annâs a pâliceman!â
âYes, she is, isnât she?â Fairchild jumped up and down in place, making the little boy squeal with laughter.
Time to go. Marian thanked Fairchild for his help, said good-bye to Bobby, and nodded to Officer Bartolomew holding the door for them.
âDonât forget Thursday night,â Alex Fairchild called after them. The door closed.
âYou got a date with Fairchild, Lieutenant?â Perlmutter asked, deadpan.
âExhibition of his photographs. Some gallery on Fifty-seventh.â Jarvik, the Heron Security man, was still at his post across the street. âDid you get anything from Bobby?â
âIâm not sure.â Marian unlocked the car and they got in. âI tried to get him to tell me something the smell reminded him of,â Perlmutter said, âand the closest he could get was the bathroom man.â
âWho?â
âI think he meant the cleaning service guy who does their bathrooms.â
Marian chewed her lower lip. âCleaning solvent?â
âOr something like it. Not ammonia, because Bobby said it was kind of sweet.â
âPine? Floral scent? That doesnât really get us anywhere, though.â
âNaw, the kidnapper could just have cleaned something before he went after the kid. Is that our only clue?â
âLooks like it. And how reliable is a four-year-oldâs memory of a new smell anyway?â
âYeah. Dead end.â He changed the subject. âLieutenant, you getting hungry?â
She was. âLetâs fuel up before we tackle the Galloways.â
âBut not in this neighborhood. Theyâd charge you ten bucks for a cup of coffee.â
They found a place on Third Avenue more suited to a copâs salary and took stools at the counter. Over grease burgers and coffee Marian told Perlmutter the substance of her talks with Rita Galloway and Alex Fairchild. âThey make a pretty good case for Hugh Gallowayâs being behind it. Number one, heâs tried before. Number two, he planted a spy in the household. Number three, he knew they were going to the puppet show.â
âOne and three could be irrelevant,â Perlmutter pointed out. âMaybe he just wanted to spend the afternoon with Bobby the times he tried to pick him up at the preschool. And his knowing they were going to the puppet show doesnât mean he did anything about it.â
âAnd number two?â
âThatâs harder to explain away. The guyâs out to get the goods on his wife, and he doesnât seem to care how he goes about itâso he plants a spy in her house? No wonder she feels threatened.â
âI wonder how much of this Bobby understands.â Marian thought of something else. âThat studio. Rita Galloway has several easels in there. I thought watercolorists always worked on a flat surface.â
Perlmutter swallowed a mouthful of cholesterol and said, âNot if theyâre using drybrush technique. Very little water, so it doesnât run down the paper. Some of those things she was working on were pretty big.â
âSo easels are not unusual?â
âWell, theyâre not exactly usual . My brother-in-law teaches art at CUNY, and he uses an easel for large watercolors.â He wiped his mouth with a paper napkin. âDid you take a close look at her work?â
âNot really. Why?â
âItâs good. I mean, itâs good . This is no rich manâs wife looking for a hobby to
Yvette Hines, Monique Lamont