for them. Who, after all, could make Kendall Bryce look anything other than perfect? The first two were body shots. Taken in the desert at dusk, beside a lone thorn tree, Kendallâs torso and arms were twisted in a mirror image of the treeâs trunk and branches. You could make out her face in profile, but the key to the image was her bare back and the billowing plumes of black hair cascading over her shoulders. The third picture was a straightforward head shot. Shot on old-fashioned film, in black and white, it captured a side of Kendall not generally glimpsed by the public. With her eyes wide and her face free of make-up, she looked young, vulnerable, emotionally naked. This was Lexâs favorite, but he doubted Kendall would pick it and Jester wouldnât force the issue. Subjects rarely liked the portraits that dared to tell them the truth.
Lex walked back inside. Slipping the three prints into a fresh envelope, he carefully filed the rest and sat down to work on some editing. It would be four hours at least until Kendall was awake and up to receiving visitors, so he might as well get some work done.
By the time he next looked up, it was noon. How the hell had that happened? Quickly brushing his teeth and spritzing on some aftershave (Kendall had once mentioned that she found CK One a sexy scent, and Lex had worn it religiously ever since, to no noticeable effect), he jumped in his leased Nissan and headed towards Brentwood.
For once traffic was good. Ten minutes later, Lex turned the corner into Brentwood Park. Jack Messengerâs house was on a private road, but the security guard at the gate knew Lex well and waved him through. Every time he came here, Lex was reminded of the immense financial gulf that existed between music managers and photographers. Like Jack, Lex was at the very top of his profession, one of the most well-respected snappers in the record business. As well as countless iconic album covers, heâd shot Pepsi commercials and award-winning live concert footage for bands as diverse as Aerosmith and The Dixie Chicks. But somehow the great music industry money tree failed to drop riches on Lex Abrahamsâ head the way it rained them down on the likes of Jack Messenger and Ivan Charles. And Kendall Bryce, of course, although nobody doubted that the artists would do well. They were the talent, the
raison dâêtre
.
Kendallâs my
raison d être
, Lex thought idly as he pulled up outside the Messenger mansion. Jackâs house was an Arts and Crafts beauty, half-timbered and covered in climbing roses and wisteria, like an English manor house. The guesthouse was more open-plan, a converted barn separated from the house by a vast expanse of lawn and set back behind neatly trimmed topiary hedges. It opened directly onto the pool, which twinkled brilliant azure blue beneath the blazing midday sun as Lex walked by.
âKnock knock,â he said cheerfully, pushing open the unlocked front door. âKendall? I brought over some pictures from the shoot. Youâre gonna loveââ
The words died on his lips. Kevin Dacre, the sobriety coach Jack had hired for an extortionate fee to babysit Kendall while he was in England, staggered sheepishly out of the bedroom with a towel wrapped around his hips and two empty wine glasses in his hand. Behind him a visibly hungover Kendall, in a crotch-skimming kimono robe, carried an armful of empty bottles.
âOh, hi, Lex,â she growled, her voice hoarse from the nightâs excesses. âLex, Kevin, Kevin, Lex. Kevin was just leaving.â
The sobriety coach did at least have the decency to blush scarlet, scurrying past Lex with a pleading â
I couldnât help it. Donât tell!
â look in his eyes. Lex felt as if heâd been punched in the stomach. Sometimes it seemed as if Kendall was determined to sleep with every man in Los Angeles other than him. Rock stars and actors were one thing, but this dweeb