Photography was his life, music his business, and Jack Messenger one of the nicest, most decent men he had ever met. All in all, Lex Abrahams considered himself one of the luckiest twenty-eight-year-olds on the planet.
Especially this morning. This morning he got to see Kendall, to show her the first images from last weekâs shoot for her new album cover. If Lex did say so himself, the pictures were awesome. For once in his life, he was actually going to impress Kendall Bryce. And, as Lex Abrahams knew perhaps better than anyone, that took some doing.
Pouring molasses-thick coffee into a red tin mug, into which he had heaped four spoons of sugar and a generous dash of Coffee-mate, Lex wandered out onto his patio. He loved it out here in the early mornings. It was a small space, basically just a gravel courtyard with a table, two chairs and a lone orange tree, but it was a sun-trap and it made his bijou one-bedroom apartment feel twice its actual size. At Kendallâs suggestion, Lex had recently screwed a vintage mirror to the rear patio wall, to make the garden look bigger. He peered at his reflection in it now, not out of vanity but because it was there, and saw what he always saw: a stocky, slightly too short Jewish man with dark curly hair, a long but not unattractive nose, and light-blue eyes that looked as if theyâd been stolen from somebody else, somebody Swedish and blond ⦠a surfer, maybe. If it werenât for the eyes, Lex Abrahams would have been the most Jewish-looking Jew he knew. Ironically, given that heâd been raised in a totally non-religious household, wasnât remotely kosher, and didnât know the inside of a synagogue from a packet of peas. Still, as a photographer with a rare gift for capturing the idiosyncracies and beauty of the human face, Lex was glad he had âa lookâ. Occasionally he wished it were more the sort of look that girls like Kendall Bryce swooned over. A taller, blonder, more regular-featured look. But, generally, Lex Abrahams was comfortable in his skin, a fact reflected in his never-changing wardrobe of faded Levi jeans, white T-shirt and Target flip-flops.
Kendallâs pictures were on the patio table. In between sips of coffee, Lex leafed through them, trying to choose the best three for her perusal. Ever since his first job for Maroon 5, aged nineteen, Lex had learned never to give a client more than three images to choose from, especially for an album cover. Large files of JPEGs had a habit of causing major brain malfunction amongst musicians. They engendered indecision, irascibility and panic. Lex was a firm believer in physical prints laid out on a table,
one, two, three.
Of course, Kendall was a slightly different case. For all the dysfunction and imbalance of their relationship, Lex and Kendall were genuine friends.
Friends.
How Lex had come to loathe that word. The truth â the tragic, pathetic, undeniable truth â was that Lex Abrahams was in love with Kendall Bryce. Of course, he had never declared his love and never would. To do so would be as futile a gesture as shouting at the TV when your team was losing, or calling up Graydon Carter and suggesting he forget about Leibovitz and hire
you
to do
Vanity Fair
âs next editorial shoot with the Obamas. Wishing it were so was one thing. Announcing your hopeless pipe dreams to the world was quite another. Kendall was as far out of Lexâs league as an NFL career was out of the reach of your average high-school footballer. Friends were as much as they would ever be. He should be grateful.
But, even as a friend, Lex yearned for Kendallâs approval. Deep down, part of him clung to a belief that if she truly valued him as an artist, a real talent, she might one day look past his mediocre exterior and see someone worth loving, worth being loved by.
The three photographs he plucked from the pile were unquestionably works of art, although Lex hesitated to take full credit
London Casey, Ana W. Fawkes