else thatâs tech, set aside for Jerry Lido.â
Lido was the alcoholic but brilliant tech analyst for Q&A.
âNo problem,â Renz said. âSo letâs go get some waffles.â
âIâm gonna wait for Pearl,â Quinn said.
âSoon as the CSU people and photographer give the word, Iâll send these dead folks to the morgue,â Nift said. âIf thatâs how you wanna do it.â
âThatâs how,â Quinn said. Heâd looked enough at the dead women.
âOr I could wait around for Pearl with you,â Nift said.
Quinn gave him a look. âI think not,â he said.
He went outside with Renz and watched the corpulent and corrupt commissioner lower himself into the back of his personal limo. Watched as the long black vehicle drove to the end of the cordoned-off block. A uniform moved a blue wooden sawhorse to make room for the limo to glide through and continue on its way.
Quinn stood in the sunlight and leaned against the stone face of the Fairchild Hotel, waiting for Pearl.
He thought about the D.O.A. initials carved in the victimsâ foreheads. The same bloody initials had been the âsignatureâ of the infamous D.O.A. killer whoâd murdered four young women in Manhattan two years ago.
That killer was the one that had flown away from Quinn. Had shot him and left him for dead beside a lake in Maine. And then died himself when his plane went down.
That had been the assumption.
Now the killerâor a copycatâwas back. That was why Renz was so sure Quinn would take the case. That Quinn would jump at it.
With Renz the case was political. With Quinn it was personal.
Quinn caught familiar movement among the knot of pedestrians crossing with the signal down at the corner. He pushed away from the sun warmed stone wall and his day immediately brightened.
Here came Pearl.
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Pearl saw Quinn right away, standing in front of the Fairchild Hotel. When she strode closer to him, she could see the look on his face, and she knew why it was there and what it meant. It took a lot to make Quinn look like that. Like a Mt. Rushmore figure only pissed off.
Sheâd heard what was upstairs in the hotel. And she knew what it would mean to Quinn. âThe last time you and this killer met, he almost made you one of his victims,â she said.
âAlmost,â Quinn said.
âI donât want that to happen,â Pearl said.
Quinn smiled. âNeither do I.â
âWould it do any good to beg you not to get involved with this killer again?â
âIn all honesty, no,â he said. And then, âIâm sorry.â
She knew that he was. Which made her want to curse him and cling to him and kiss him all at the same time. âYou know youâre obsessive,â she said.
âPersevering.â
âObsessive.â
âYouâve been talking to Renz.â
âOf course I have. He doesnât mind if you get yourself killed.â
âMore than you might think.â
Pearl felt herself approaching the point where frustration would become ire. Men! she thought. Some men!
âIâm going upstairs to the crime scene,â she said.
For a second she thought he was going to advise her against that, for her own good. Forbid it, in fact. But he knew her better than that.
âNift is still up there,â he said.
âSo are maggots.â
âPearl . . .â
âScrew Nift.â
Pearl pushed through the tinted glass revolving door, somehow not missing a step, as if dancing in concert with its myriad moving images.
She noticed how cool the lobby was.
Like the morgue.
7
Dunkirk, France, 1940
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T he day could hardly be bleaker. There was blood on the uniform of British Expeditionary Force Corporal Henry Tucker. He checked carefully with hurried hands and decided with immense relief that none of it was his own.
He looked up and down the beach and saw people running and diving