as they were at home.
âVery well. Iâll need contact numbers thenâand, Ruby, Iâll phone your mother and father separately. They will both need to consent.â
âOK,â I said. It still felt strange that they had separate home phone numbers.
âFor whoever gets the part of Polly Harris it will be an intensive six-week shoot. Child working laws still apply, of course, so it does mean that if either of you two get the part, you would be taken out of school for the remainder of this term and taught on set by a specially provided tutor, who will know your curriculum and will make sure you do not fall behind with your school work.â Ms Lighthouse gave us one of her brief twitches of a smile. âYou will also need an adult guardian with you at all times.â
âI donât think either of my parents will be able to dothat,â Anne-Marie said, looking a little downcast. âI donât think weâve spent six weeks in one place together ever in my life.â
âWell,â Ms Lighthouse said. âIf needs be, Anne-Marie, Iâll chaperone you myself. I wonât have you missing out on a chance like this. So donât you worry about that. â She gave Anne-Marie one of her brief, rare, full-length smiles.
âNow, you two must focus on Friday. Ruby, you suffered terribly from nerves the last time. I want you to harness those nerves; make them work for you. Donât let anything knock you off course again. Mr Dubrovnik must have seen something in you to make him want to see you again. Try and think what that might have been and give it a chance to really shine. Anne-Marie, you are a lovely-looking girl, but donât rely on good looks to get you through this. Mr Dubrovnik may be shooting an action film, but he wants actors in it, not mannequins. He hasnât won two Oscars just for casting pretty faces. You have talent, make sure you use it.â Anne-Marie and I nodded, and then I thought of Nydia sitting in English class still thinking that she might have got called back.
âExcuse me, Ms Lighthouse,â I asked her. âDoes that mean no one else from the academy is going back?â
âIâm afraid so,â she said, looking at her watch. âI want you to go to the library for the remainder of your lesson until lunch break. Iâll be seeing those other girls now.â She studied mine and Anne-Marieâs faces for a moment and I could guess what she saw there. I hardly knew myself how I felt.
âDonât feel bad about it, girls,â she said, her voice unexpectedly softened. âThis is what acting is about. Sometimes seeing your friends fail means that you have succeeded.â
Mrs Moore watched us as we filed out of Sylvia Lighthouseâs office and turned right towards the library. Then she left her desk and began walking steadily to fetch the other girls who hadnât made it through. The other girls including Nydia.
âPoor Nydia,â I whispered to Anne-Marie as we sat over open books that we had plucked from the shelves without even reading the title. I wanted to run about and scream and laugh, but given that we had been sent to the library all of those things were impossible. So instead we had to sit and wait until we could tell everyone elseâtell Nydia.
âI know,â Anne-Marie said. âBut you heard what she said, she said donât feel bad becauseââ
âI know,â I said. âBut I donât want it to be like that, do you? I donât want to be that competitive. And friends you count on, friends like Nydia and you, are really important. I donât ever want to see a friend fail so that I can succeed.â
âBut did you honestly feel like that this morning before you knew you had been called back?â Anne-Marie asked me. I shrugged, but said nothing. She was right, though. If I was really, really honest, this morning a part of me had hoped that
Terra Wolf, Holly Eastman