Farewell, My Lovely
up Number 4. "I shouldn't ought to barber with you. But when I like a guy, the ceiling's the limit." She simpered. She was as cute as a washtub. "Hold onto your hair and don't step on no snakes," she said. "I got me an idea."
    She got up out of the rocker, sneezed, almost lost the bathrobe, slapped it back against her stomach and stared at me coldly.
    "No peekin'," she said, and went out of the room again, hitting the door frame with her shoulder.
    I heard her fumbling steps going into the back part of the house.
    The poinsettia shoots tap-tapped dully against the front wall. The clothes line creaked vaguely at the side of the house. The ice cream peddler went by ringing his bell. The big new handsome radio in the corner whispered of dancing and love with a deep soft throbbing note like the catch in a torch singer's voice.
    Then from the back of the house there were various types of crashing sounds. A chair seemed to fall over backwards, a bureau drawer was pulled out too far and crashed to the floor, there was fumbling and thudding and muttered thick language. Then the slow click of a lock and the squeak of a trunk top going up. More fumbling and banging. A tray landed on the floor. I got up from the davenport and sneaked into the dining room and from that into a short hail. I looked around the edge of an open door.
    She was in there swaying in front of the trunk, making grabs at what was in it, and then throwing her hair back over her forehead with anger. She was drunker than she thought. She leaned down and steadied herself on the trunk and coughed and sighed. Then she went down on her thick knees and plunged both hands into the trunk and groped.
    They came up holding something unsteadily. A thick package tied with faded pink tape. Slowly, clumsily, she undid the tape. She slipped an envelope out of the package and leaned down again to thrust the envelope out of sight into the right-hand side of the trunk. She retied the tape with fumbling fingers.
    I sneaked back the way I had come and sat down on the davenport. Breathing stertorous noises, the woman came back into the living room and stood swaying in the doorway with the tape-tied package.
    She grinned at me triumphantly, tossed the package and it fell somewhere near my feet. She waddled back to the rocker and sat down and reached for the whiskey.
    I picked the package off the floor and untied the faded pink tape.
    "Look 'em over," the woman grunted. "Photos. Newspaper stills. Not that them tramps ever got in no newspapers except by way of the police blotter. People from the joint they are. They're all the bastard left me--them and his old clothes."
    I leafed through the bunch of shiny photographs of men and women in professional poses. The men had sharp foxy faces and racetrack clothes or eccentric clownlike makeup. Hoofers and comics from the filling station circuit. Not many of them would ever get west of Main Street. You would find them in tanktown vaudeville acts, cleaned up, or down in the cheap burlesque houses, as dirty as the law allowed and once in a while just enough dirtier for a raid and a noisy police court trial, and then back in their shows again, grinning, sadistically filthy and as rank as the smell of stale sweat. The women had good legs and displayed their inside curves more than Will Hays would have liked. But their faces were as threadbare as a bookkeeper's office coat. Blondes, brunettes, large cowlike eyes with a peasant dullness in them. Small sharp eyes with urchin greed in them. One or two of the faces obviously vicious. One or two of them might have had red hair. You couldn't tell from the photographs. I looked them over casually, without interest and tied the tape again.
    "I wouldn't know any of these," I said. "Why am I looking at them?"
    She leered over the bottle her right hand was grappling with unsteadily. "Ain't you looking for Velma?"
    "Is she one of these?"
    Thick cunning played on her face, had no fun there and went somewhere else.
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