she said, âThere are more stars here than in Seattle.â
âThatâs because cities have all those street lights and neon signs that shine too much light back up in the sky. They wash out the stars.â
âI know that,â she said. âYou donât have to keep on acting so smart.â But she didnât sound annoyed.
In
Hard Light
, one of the movies she wrote for RKO, thereâs a boy who escapes the fighting and shouting in his houseâhis fatherâs a falling-down drunkâby going out at night to study the constellations. Lily called me up a few weeks before that picture came out to let me know that the boy in
Hard Light
wasnât me. She didnât need to say so. By then I knew that it was Lily who had grown up with family battlesânot brutal abuse but slamming doors, shouting; both of her parents drank. She had escaped from it into books and writing and movies.
âIâm so tired,â she said after a while. âI havenât really been able to sleep in the bus.â Well, she had been sleeping, but I didnât call her on it.
I said, âYou could try to sleep right now. That other bus might be a while.â
After a minute she said, âI guess Iâm too keyed up.â
We fell silent. Then she said, âWhen you get down there, have you got a place to stay?â
I said, âI figure Iâll just get a hotel.â I didnât tell her I only had enough money for a couple of nights in a flophouse.
âYou should look for a place around Gower Street,â she said. âA lot of the cowboy pictures are made close to there.â She knew quite a lot about Hollywood, which she was glad to tell me without prompting, and I was glad to learn from her. Sheâd learned most of it by close study of
Photoplay
and
Modern Screen
, but I canât fault her for it, since most of what she told me turned out to be true.
When I asked her where sheâd be staying, she told me she had a room waiting for her at the Hollywood Studio Club, which was a kind of sorority for women who worked in the movie business, not only the actresses and starlets but the secretaries and office girls. She would be sharing with the other girls who worked in the agentâs office, a three-bed dormitory room that had a sink and two closets. One of the secretaries had married and moved over to Santa Monica with her husband, and Lily would be taking that girlâs place.
âI hope I can sleep when I get there,â she said, âbut itâll still be the middle of the day, so I guess Iâll have to wait until the other girls are ready for bed.â
It began to gray toward daylight. Some black-and-white dairy cows were standing in the field beyond the wrecked fence, and the state policeman was standing near the dead man as if to keep the cows from walking on the body. I could have told him no cow would ever walk on a human body, living or dead. No horse, either. What I figured he should be worried about was the hole in the fence. If somebody didnât patch it up, those cows would be through it and walking up the highway just as soon as we were gone.
Finally the other bus came from the south, and we watched it jockey back and forth in the road to get turned around and headed back toward Bakersfield. It was still running headlights, which swept across the car lying upside down with its tires in the air and the trooper standing near the dead man. Down there in the dry weeds you could just see a bit of the blanket covering the body.
We shuffled onto the bus without speaking and rode into Bakersfield in silence. At the station a smiling man stepped onto the bus and told us, âBreakfast is on the Greyhound Lines, folks. Step right next door to Bettyâs Biscuits, theyâre expecting you all, and the griddle is hot.â
So I had a stack of hotcakes courtesy of Greyhound, and Lily ate up every bit of her eggs and sausageânot a word