strength to me at my lowest ebbs. She has celebrated with me when good things have happened too, like the time Kowalski’s won a top industry award the first year I was in charge. And when Celia puts her mind to celebrate, she does it with every last drop of her energy.
Celia’s events are the Golden Fleece in the Upper West Side. She is one of the few people in the country who can gather a stellar group of America’s finest in one room at less than a year’s notice. Her knack for creating interesting groups of guests is unsurpassed. And she always invites me. Which is the best bit, really. And while I suspect her main motive for including me in the guest list is to introduce me to eligible men, I love her for it. It is always a pleasure to meet the fascinating, creative people at Celia’s parties and I have made many firm friends that way in the past.
Celia’s guests began arriving just after eight, and within an hour Café Bijou was filled with the happy hum of conversation. Many of the writers present had not seen one another for some time, kept busy by national tours for their latest worksor the ever-fruitful lecturing circuit. Small groups of friends gathered, excitedly inspecting the gift bags that Celia had given to each guest—neat little linen carriers filled with selections of the latest books from the authors present. As I navigated the room, checking my creations as I went, drifts of conversation washed over me.
‘…It seems to me that Bernann’s critique of Gershwin’s contribution to the American musical identity simply focuses on one solitary point…’ ‘…And you should have seen the hotels my agent found for me in Quebec…’ ‘…But I cannot abide the style of modern English favoured by Ivy League departments right now…’ ‘…Call me Neanderthal if you wish, but I have yet to find a credible philosopher to match the ancient greats in twenty-first-century America. I know, I know, I’m hard to please…’
One conversation caught my attention particularly. A group of three women and two men were standing by one of the tables, inspecting the basket arrangement closely.
‘No, I think you’ll find it is French Lavender,’ said one woman, positioning her reading glasses on the end of her nose and peering at the flowers.
‘Well, what’s the difference between French and English?’ asked the younger of the two men.
‘Easy, I know that one,’ said the other, with a wide, happy grin. The group looked at him, expectantly, waiting for the answer. ‘One comes from France and the other comes from England!’ This was received with good-natured groans and the investigation resumed.
‘If I may join the debate,’ I ventured, entering their conversation, ‘the difference can be seen in the flower heads. French lavender has a much bigger head, with two or three large petals, while English lavender has a smaller head with tight, compactflowers. The lavender in question is English lavender and we import it especially from a farm on the Isle of Wight.’
The group appeared pleased and the lady with the reading glasses extended her hand.
‘Thank you for your knowledgeable contribution. I’m Mimi Sutton.’
I returned her warm handshake. ‘Rosie Duncan. I’m Celia’s friend and also her florist.’
This information was met with murmurs of approval and congratulations from the others in the group, whom Mimi proceeded to introduce to me. Anya Marsalis, a tall, angular woman with striking black hair and huge green eyes was first. She was new to the literary circuit, having recently retired as an international model and published her first book—a travelogue of her time in Milan, Paris and Rome. Next was Brent Jacobs, the man with the wide grin, who had worked for twenty years as a criminal psychologist and now wrote very successful thrillers. His stomach was almost as broad as his smile and his thinning grey-blond hair curled up around his ears. The third woman, diminutive in both