back?â
âDepends. We clear with the Agency?â
âYes and no.â
âMeaning?â
âChameleonâs on sabbatical until the new director reevaluates our purpose.â
âYouâve got a new boss?â
â Weâve got a new boss. Vincent Crowe. Company man.â
âHard-ass?â
âYou got it.â He popped two aspirin and swallowed them dry.
âYou dinnae sound happy, mate.â
Try miserable. Even before Crowe had been appointed, the Agency had started mangling Miloâs vision for Chameleon by inundating the team with cases pertaining to high-profile scams. Scams that target the select upper crust, as opposed to those that ruin lives of the blue-collar majority. Given his dealings with the new director thus far, he feared his vision was one step closer to history. âMaybe Evie could sing me a song. Cheer me up. Where is she, anyway?â
âJust put her on a plane. Sheâs on her way home. Be warned, sheâs over the moon aboot her job with Chameleon. Has illusions aboot saving the world. Reminds me of you, yeah?â
âI donât want to save the world, Arch. Just a naive few.â
âPeople like Evie.â
Milo didnât comment.
âIâve seen the way you look at her, mate. Remember what you told me aboot mixing business with pleasure.â
âThat a warning?â
âJust an observation.â
The exchange reignited Miloâs previous suspicions that Arch had fallen in love. Dangerous territory for a man who valued emotional detachment. Never attach yourself to anyone you canât walk away from in a split second. âYou sound jealous. Just an observation.â
âBugger off.â
âFuck you.â
âBeckett?â
âYeah?â
âTry a glass of warm milk. And dinnae worry aboot Crowe.â
âThanks.â Milo disconnected and fell back against his pillows. His relationship with Arch was complicated. Onetime rivals, they now danced the same dance. Partners in anticrime. Arch occasionally slipped into old routines, solo. His last performance had earned Milo an ass chewing from Crowe. It had also pulled Evie Parish, a sexy variety performer, into their lives. As if he needed another complication coming between him and his professional goals.
He massaged his temples, dreaded another bout of insomnia. He swung out of bed and headed for the kitchen, contemplating this new and constant restlessness. He needed to take charge.
First order of business: tackling insomnia. Which meant two things: addressing his discontent with the Agency and getting a grip on his infatuation with Twinkie. In a warped, adversarial way, he considered Arch Duvall a friend. But it was his obsession to learn everything the crafty genius knew about grifting that motivated Milo to keep him close. If he pursued this attraction to Evie, he risked driving a wedge between him and the Scot. Just because Arch claimed the affair was over didnât mean he was over Evie.
Face it, Beckett. Hiring Twinkie was a mistake. âThatâs what you get for thinking with your dick.â He opened the fridge, nabbed the milk. âJust an observation.â
CHAPTER FOUR
J ET LAG . T HE AWFUL zombielike sensation rivaled motion sickness, and I suffered from both.
Queasy and fog-brained, I dragged my suitcase into my apartment, a one-bedroom rental with minimal furnishings and three weeks of dust. I added depressed to the list. It didnât just feel empty, it was empty. I wish I could say someone robbed me while I was away. But, no, this was my doing. Iâd moved in after the divorce, but Iâd never really lived here. Iâd purchased essentialsâa couch, a television, a bedâand hadnât bothered decorating. I was too busy wallowing in my postdivorce funk and pitiful work schedule to give two figs about curtains, wall hangings and knickknacks.
Bleary-eyed, I scanned the living
Jay Lake, edited by Nick Gevers