donât like seeming less talented than I really am. I could be the class star, but my night work is more important than personal glory in a class where weâre all getting As for effort. Iâve learned to live with the tiny bit of honesty DP allows me.
My parents and Ocie know I want to shoot wildlife for Nat Geo one day, and theyâre used to seeing some DSLR magazines or used Craigslist lenses lying around my room. Any questions that arise, I blame on the class. Hiding in plain sight, remember.
Digital Photography is a good mix of sophomores, juniors, and one senior. Some are here because itâs a better deal than losing a finger in wood shop, others show passing interest and may someday use the skills they pick up to make the best family vacation albums ever.
Then thereâs Marcos Dahmer, who often smells of deep-fried hush puppies thanks to his part-time gig at the über-gross fast-food chain Count of Monte FISHto. Thereâs a joke around the school: Manâs gotta eat. But not there .
He brings his own equipment to class, an old Olympus, and pulls some great shots from it, mostly for the yearbook, which heâs editing this year. If I took this class serious enough to be competitive, heâd be the kid to beat.
When I arrive, the room is buzzing over todayâs fresh scandal. A small huddle forms around one of the three communal computers. There are nine of us in DP, but I notice two extra faces in the room and know the kids hoping to access Gray Scales are going to be sorely disappointed.
Iâm disappointed, too. Through my extracurricular activities it seems Iâve inadvertently engineered another run-in with Taylor.
Heâs hunched over a computer in the far corner of the room, typing and talking to a girl Iâve seen around. Rozlynn Petrie, beanpole tall and freshman awkward. Together they are part of the student tech support team, here to ruin everyoneâs fun.
I join my classmates around computer station #1. As I expect, frustrated sighs fill the air when they discover access to Gray Scales has been blocked.
Marcos Dahmer makes it into the room as the bell rings. The crowd moves to the second computer station, fighting the inevitable. But Marcos rolls his pink-tinted eyes, drops his bags, book, and camera on the floor next to his chair before laying his head on the desktop. He curls an arm around his face to block the light.
Alyssa Burrell, one of Marcosâs fellow yearbook staffers (but not nearly as talented a photographer), calls to him, âHey, Marcos, you wanna check Gray Scales with us?â
âScrew Gray,â he says in a foghorn groan, sounding as worn as I feel. Apparently, Iâm not the only one who had a late night.
His disgust/dismissal of Gray is nothing new. Everyone whoâs taken DP has been suspected of being Gray. That type of scrutiny has gone better for some than others. Marcos falls into the âotherâ category.
Alyssa shrugs off Marcosâs dismissal and joins us at the #2 station. âCan you believe it?â she says to me. âI just shot Coach Pedophile and the football team for the yearbook. Thank God I wasnât alone with him. Who knows what mightâve happened.â
A yawn scales my throat. Fatigue makes me cranky, and I think, I know. Heâd ignore you, like most boys do .
Fact: Alyssaâs frizzy blond curls, mud-brown eyes, and freckles donât exactly have the same draw as Keachinâs almost-a-model looks. Sorry.
Ms. Marcella, our teacher, reclines in her chair, amused by sighs and teeth-sucking when itâs discovered Gray Scales is blocked on this station, too.
I glance toward Taylor, who offers his seat to Rozlynn. She takes his place at the station, her spindly elbows protruding from the rolled-up sleeves of multiple baggy shirts like curtain rods from a mound of discarded drapes. She types commands on computer #3, completing the lockout, ensuring my classmatesâ
Benjamin Blech, Roy Doliner