remember that if I were you,” she said and went down to the boat.
I thought about that for a while, then climbed inside the Otter, opened a compartment beneath the pilot’s seat and pulled out a gun case. It contained a Winchester hunting rifle, a beautiful weapon which Desforge had loaned me the previous week. There was a box of cartridges in the map compartment and I loaded the magazine with infinite care. After all, there’s nothing like being prepared for all eventualities and the girl was certainly right about one thing. Around Jack Desforge anything might happen and usually did.
The diesel engine gave the whaleboat a top speed of six or seven knots and I made good time after leaving the Stella, but a couple of miles further on the pack ice became more of a problem and every so often I had to cut the engines and stand on the stern seat to sort out a clear route through the maze of channels.
It was hard going for a while and reasonably hazardous because the ice kept lifting with the movement of the water, broken edges snapping together like the jaws of a steel trap. Twice I was almost caught and each time got clear only by boosting power at exactly the right moment. When I finally broke through into comparatively clear water and cut the engine, I was sweating and my hands trembled slightly—and yet I’d enjoyed every minute of it. I lit a fresh cigarette and sat down in the stern for a short rest.
The wind that lifted off the water was cold, but the sun shone brightly in that eternal blue sky and the coastal scenery with the mountains and the ice-cap in the distance was incredibly beautiful—as spectacular as I’d seen anywhere.
Suddenly everything seemed to come together, the sea and the wind, the sun, the sky, the mountains and the icecap, fusing into a breathless moment of perfection in which the world seemed to stop. I floated there, hardly daring to breathe, waiting for a sign, if you like, but of what, I hadn’t the remotest idea and then gradually it all came flooding back, the touch of the wind on my face, the pack ice grinding upon itself, the harsh taste of the cigarette as the smoke caught at the back of my throat. One thing at least I had learned, perhaps hadn’t faced up to before. There were other reasons for my presence on this wild and lovely coast than those I had given Ilana Eytan.
I started the engine again and moved on, and ten minutes later saw a tracer of blue smoke drifting into the air above a spine of rock that walled off the beach. I found the hunting party on the other side crouched round a fire of blazing driftwood, their kayaks drawn up on the beach. Desforge squatted with his back to me, a tin cup in one hand, a bottle in the other. At the sound of the whaleboat’s engine he turned and, recognising me, let out a great roar of delight.
“Joe, baby, what’s the good news?”
He came down the beach as I ran the whaleboat in through the broken ice and as always when we met, there was a slight edge of unreality to the whole thing for me;a sort of surprise to find that he actually existed in real life. The immense figure, the mane of brown hair and the face—that wonderful, craggy, used-up face that looked as if it had experienced everything life had to offer and had not been defeated. The face known the world over to millions of people even in the present version which included an untidy fringe of iron-grey beard and gave him—perhaps intentionally—an uncanny resemblance to Ernest Hemingway who I knew had always been a personal idol of his.
But how was one supposed to feel when confronted by a living legend? He’d made his first film at the age of sixteen in 1930, the year I was born. By 1939 he was almost rivalling Gable in popularity and a tour as a rear gunner in a B.17 bomber when America entered the second world war made him a bigger draw than ever when he returned to make films during the forties and fifties.
But over the past few years one seemed to hear more