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barely noticed. Her eyes were riveted by a good-sized loom leaning against the far wall of the hut. The frame listed at a precarious angle; the warp beam and heddle rods were splintered; there appeared to be no crossbeam at all; and a tangle of decayed and unraveled warp thread sprouted from top and bottom, but Rose was not discouraged.
    It took Rose a long time and many baskets of chanterelles to convince Widow Hautzig to let her try her hand at fixing up the broken-down loom, which had been the castoff of an old aunt of the widow's. In return the widow made Rose clean the filthy old storage hut until it was spotless.
    Rose then cajoled Father and me, as well as Willem, to help her repair the loom. Widow Hautzig offered no assistance, and even insisted that it not be removed from her property. She also complained unceasingly of the small amount of noise we made, hammering and sanding and such.
    I was appalled when Widow Hautzig did not give Rose the loom outright, since she had no use for it herself. What rankled even more was that die nasty woman even continued to demand chanterelle fees for the use of the loom we repaired, and made Rose work in that windowless, unheated hut.
    Nevertheless, I'd never seen Rose so happy as when she could grab a few moments to go off and work on the loom.
    I wrote a poem about Widow Hautzig. It began
     
Hautzig the weaver, queen of the dead
.
The strands in her loom dripping with red.

Lips dry as bone, her hair made of snakes,

The souls of her victims to Hel she does take.
     
    Well, maybe I exaggerated. But only a little.

Rose
    T HE FIRST THING I MADE on Widow Hautzig's loom was a table runner. It had a simple reindeer design in the weave, and I was absurdly proud of it. My next projects were a shawl for Mother and head scarves for my three sisters. Then I made a jacket for Neddy and a pair of breeches for Father.
    The last thing I made on that loom was for me. A cloak. It took me nearly half a year to finish. It was during this time that things went so wrong with the farm.
    Father told me the bad luck began the year I was born. The barley crop failed, and that setback was followed by an unusually harsh winter that killed off our largest sow. Since then there had been blight that killed our fruit trees, a sickness that went through our poultry, not to mention a heartbreaking series of crop failures. By the summer when I was working on my cloak, there was so little to go around that it didn't seem right to be hunting chanterelles for Widow Hautzig; nor was there much time for weaving, other than that which was strictly necessary. We were all working so hard just to keep from starving. And there was no extra wool for spinning.
    For a long time I had been in the habit of scrounging for tufts of wool. I would find them stuck to fences and the bark of trees. But it really wasn't enough, and it was only thanks to Father that I was able to finish my cloak at all. He brought me wool, clumps that he had bargained for from neighbors, and he insisted that I take breaks from chores to go chanterelle hunting with Snurri.
    Widow Hautzig's tongue grew sharper over the years. She was unsympathetic to our ill fortune, sometimes even openly cruel about it, making nasty remarks about my father's farming abilities. I would have stopped going altogether had I not been on the verge of finishing my cloak. It was the best piece I had ever made. As our life got worse and worse at the farm, I even thought I might sell it, to bring in badly needed money, but Father wouldn't hear of it. He said the cloak belonged to me. The next thing I made, he suggested, we would sell.
     
    I showed the cloak to Neddy first. I met him coming home from Widow Hautzig's, the material folded in my arms. It was a sunny day, with a brisk autumn wind blowing, and I was feeling a little breathless, irrationally excited about the thing I was carrying.
    He knew at once. And smiled his dear, slow smile. "Show me," he said simply.
    I started