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They are always hungry and they move very fast." He acted like he was some kind of expert on white bears.
    I didn't pay any attention to him. From then on the white bear was my imaginary companion on all my explorations. I would pretend that I was riding along on its white-fur back, the two of us a fierce duo conquering and claiming new lands by the score.
    I spent much of my childhood longing, in vain, to see a white bear again. It was extremely rare to see white bears in our part of the country. They were ice bears,
isbjorn,
that usually made their home in the snowy north.

White Bear
Watching for the child.
The girl with purple eyes.
Purple eyes.
And her smiling mouth.
Standing in the trees, watching her.
The girl.
Taller.
Unafraid.
She moves toward me.
Purple eyes, trusting.
Cannot.
Not safe for her.
Hunger.
Hunger.
Hunger.
Must go.
Quickly.
To feed.
Now.
Then return.

Neddy
    W HEN R OSE WAS FIVE, she began to weave. The first thing she made was a belt with a crude design of a white bear. Those were her two passions: weaving (or sewing) and exploring with her imaginary white bear.
    Inside the house she could always be found weaving belts on her small, rigid heddle loom. When we had more belts than we could ever use (some of the farm animals even sported Rose's belts), Mother taught Rose to work the household loom. By age eight Rose was her older sisters' equal when it came to weaving.
    Then one day, taking a basketful of eggs to Widow Hautzig, Rose laid eyes on the widow's loom. Widow Hautzig was a local craftswoman who had a small business weaving coats and rugs and various other items to sell both in nearby Andalsnes and to wandering merchants who would take them to fairs and markets farther afield. To Rose, who knew only our own rough one at home, the widow's loom was large and impressive. It was twice as tall as Rose, and the wood was polished and carved with simple designs.
    Unfortunately, Widow Hautzig was a grouchy old woman with no patience at all for a small, wild girl desperate to learn all about her beautiful loom. More than anything in the world, Rose longed for a loom of her own, a fine big one like the widow's. But she knew that was impossible, that Father would never be able to afford it. Still, Rose was stubborn, and she would not rest until she had found a way to get the Widow Hautzig to let her use her loom.
    When she was nine Rose found out that Widow Hautzig had a weakness for chanterelle mushrooms. So Rose trained her favorite dog, Snurri, to sniff out chanterelles in the forest. After much hard work she struck a deal: In exchange for a weekly basket of chanterelle mushrooms, Widow Hautzig would teach Rose how to work her loom. Though the lessons were short and very disagreeable (often Rose would come home in tears over some gibe of the widow's), still Rose was a determined pupil, and before long the baskets of chanterelles were being traded for a chance to actually do her own weaving on the loom.
    She could only do this during the very short breaks between Widow Hautzig's own projects, some of which took a long time to complete. And Rose would have had no time at all on the loom were it not for Widow Hautzig's rheumatism. When her rheumatism was acting up, the widow would take a long rest, sometimes even as much as a fortnight if it was a particularly bad bout.
    "Thank God for Widow Hautzig's rheumatism," Rose would say every night before bed. Mother once overheard her and scolded her, so Rose was careful to whisper those words to herself from then on.
    Even with Widow Hautzig's rheumatism, Rose never could weave anything that required more than a few days' work. Then, one day, as she was trying to discourage Snurri from digging under Widow Hautzig's storage hut, Rose saw something through a crack in the woodwork of the hut. There were no windows in the hut, but it was not locked, and without asking permission, Rose entered the small building. The inside was cloaked with dust and cobwebs, but Rose