fire-scene inspection into a coherent narrative.
The phone rang. I was hoping it was Mrs. Brunswick at the bank, calling back to tell me the five-thousand-dollar snafu had been cleared up. "Millhone Investigations," I said.
"Oh hi, Kinsey. This is Darcy, next door. I just won-dered when I could pop over and pick up that file."
"Darcy, it's only ten-fifteen! I'm working on it, okay?" Please note: I did not use the "F" word, as I know she takes offense.
"Well, you don't have to take that tone," she said. "I told Mac the report wouldn't be ready yet, but he says he wants to review the file first anyway."
"Review the file before what?"
"I don't know, Kinsey. How am I supposed to know? I called because there's a note in the action file on my desk."
"Oh, your 'action' file. You should have said so before. Come pick the damn thing up."
Ill temper and intuition are not a good mix. Whatever inconsistency was nagging at me, I could hardly get a fix on it with Darcy breathing down my neck. My first act that morning had been to fill out a form for the Insurance Crime Prevention Unit, asking for a computer check on Lance Wood. Maybe at some point in the past I'd come across a previous fire claim and that's what was bugging me. The computer check wouldn't come back for ten days, but at least I'd have covered my bases. I adjusted the tabs on my machine, typed in the name of the insured, the location, date, and time of loss.
When Darcy arrived to pick up the file, I spoke with-out looking up. "I dropped the film off at Speedee-Foto on my way in. They'll have prints for me by noon. I haven't had a chance to talk to Lance Wood or the fire chief yet."
"I'll tell Mac," she said, her tone cool.
Oh well, I thought. She's never been a pal of mine anyway.
As there was no slot or box where unspecified hunches could be typed in, I kept my report completely neutral. When I finished, I rolled it out of the machine, signed it, dated it, and set it aside. I had an hour before I could pick up the photographs, so I cleaned up the sketch of the warehouse layout and attached that to the report with a paper clip.
The phone rang. This time it was Andy. "Could you step into Mac's office for a few minutes?"
I quelled my irritation, thinking it best not to sass the CF claims manager. "Sure, but I won't have the pictures for another hour yet."
"We understand that. Just bring what you've got."
I hung up, gathered up the report and the sketch, locked the office behind me, and went next door. What's this "we" shit? I thought.
The minute I stepped into Mac's office, I knew some-thing was wrong. I've know Maclin Voorhies since I started working for California Fidelity nearly ten years ago. He's in his sixties now, with a lean, dour face. He has sparse gray hair that stands out around his head like dandelion fuzz, big ears with drooping lobes, a bulbous nose, and small black eyes under unruly white brows. His body seems mis-shapen: long legs, short waist, narrow shoulders, arms too long for the average sleeve length. He's smart, capable, stingy with praise, humorless, and devoutly Catholic, which translates out to a thirty-five-year marriage and eight kids, all grown. I've never seen him smoke a cigar, but he's usually chewing on a stub, the resultant tobacco stains tarnishing his teeth to the color of old toilet bowls.
I took my cue not so much from his expression, which was no darker than usual, but from Andy 's, standing just to his left. Andy and I don't get along that well under the best of circumstances. At forty-two, he's an ass-kisser, always trying to maneuver situations so that he can look good. He has a moon-shaped face and his collar looks too tight and everything else about him annoys me, too. Some people just affect me that way. At that moment he seemed both restless and smug, studiously avoiding eye contact.
Mac was leafing through the file. He glanced over at Andy with impatience. "Don't you have some work to do?"
"What? Oh sure. I
Douglas Preston, Lincoln Child