Assistance
In myths and legends, the knight is always aided in his quest to slay the dragon. Providence brings forth a champion whose role is to assist the hero. Theseus had Ariadne when he fought the Minotaur. Jason had Medea when he went after the Golden Fleece. Odysseus had the goddess Athena to guide him home.
In Native American myths, our totemic ally is often an animal—a magic raven, say, or a talking coyote. In Norse myths, an old crone sometimes assists the hero; in African legends, it’s often a bird. The three Wise Men were guided by a star.
All of these characters or forces represent Assistance. They are symbols for the unmanifested. They stand for a dream.
The dream is your project, your vision, your symphony, your startup. The love is the passion and enthusiasm that fill your heart when you envision your project’s completion.
Sometimes when Resistance is kicking my butt (which it does, all the time), I flash on Charles Lindbergh. What symphony of Resistance must have been playing in his head when he was struggling to raise the funding for his attempt to fly across the Atlantic solo?
“You’re too young, you’re too inexperienced; you’ve got no credentials, no credibility. Everyone who’s tried this has failed and you will, too. It can’t be done. Your plane will crash, you’re going to drown, you’re a madman who is attempting the impossible and you deserve whatever dire fate befalls you!”
What saw Lindy through?
It can only have been the dream.
Love of the idea.
How cool would it be, in 1927, to land at Le Bourget field outside Paris, having flown from New York, solo and non-stop, before anyone else had ever done it?
The seventh principle of Resistance is that we can align ourselves with these universal forces of Assistance—this dream, this passion to make the unmanifest manifest—and ride them into battle against the dragon.
Resistance’s Two Tests
Resistance puts two questions to each and all of us.
Each question has only one correct answer.
Test Number One
“How bad do you want it?”
This is Resistance’s first question. The scale below will help you answer. Mark the selection that corresponds to how you feel about your book/movie/ballet/new business/whatever.
Dabbling • Interested • Intrigued but Uncertain • Passionate • Totally Committed
If your answer is not the one on the far right, put this book down and throw it away.
Test Number Two
“Why do you want it?”
For the babes (or the dudes)
The money
For fame
Because I deserve it
For power
To prove my old man (or ex-spouse, mother, teacher, coach) wrong
To serve my vision of how life/mankind ought to be
For fun or beauty
Because I have no choice
If you checked 8 or 9, you get to stay on the island. (I know I said there was only one correct answer. But 8 and 9 are really one.)
If you checked any of the first seven, you can stay, too—but you must immediately check yourself into the Attitude Adjustment Chamber.
The Attitude Adjustment Chamber
Did you ever see Cool Hand Luke ? Remember “the Box”? You don’t get to keep anything when you enter this space. You must check at the door:
Your ego
Your sense of entitlement
Your impatience
Your fear
Your hope
Your anger
You must also leave behind:
All grievances related to aspects of yourself dependent on the accident of birth, e.g., how neglected/abused/ mistreated/unloved/poor/ill-favored etc. you were when you were born.
All sense of personal exceptionalness dependent on the accident of birth, e.g., how rich/cute/tall/thin/smart/charming/loveable you were when you were born.
All of the previous two, based on any subsequent (i.e., post-birth) acquisition of any of these qualities, however honorably or meritoriously earned.
The only items you
Richard Ellis Preston Jr.