Dexter's Final Cut
Miami? A lot of the time the questions were completely unrelated to whatever I was doing, which made the whole thing seem even more pointlessly annoying. I could understand that it was a little hard for someone like him to frame intelligent questions about gas chromatography, but then, why watchme do it in the first place? Why couldn’t he just go sit in a sports bar and text me his questions while he sipped a beer and watched a ball game?
    The stupid questions were bad enough. But Wednesday, he took things to a new level of persecution.
    We were in the lab once more, and I was looking into the microscope, where I had just found some very interesting similarities between tissue samples from two different crime scenes. I straightened up, turned around, and there was Chase, frowning thoughtfully, with one hand massaging the top of his head and the other covering his mouth. And before I could ask him why on earth he was making such a ridiculous gesture, I realized that I was doing exactly the same thing.
    I dropped my hands. “Why are you doing that?” I said, keeping most of the irritation out of my voice.
    Chase dropped his hands, too, and smiled, a cocky little smile of triumph. “That’s what you do,” he said. “When you find something significant. You do that with your hands.” He did it again briefly, one hand on his head and the other over his mouth. “You do that,” he said, letting his hands fall away, “and then you stand there and look really thoughtful.” And he made a half-frowning face that said quite clearly,
I am being really thoughtful
. “Like that,” he said.
    I suppose I might well have been doing that and many other things my entire professional life without knowing it. There are very few mirrors in a forensics lab to show me what I looked like as I worked, and frankly I preferred it that way. We all have unconscious patterns of behavior, and I have always thought mine were just a little bit more restrained and logical than those exhibited by the mere mortals surrounding me.
    But here was Chase, showing me quite clearly that my mannerisms were just as ridiculous as anyone else’s. It was unbelievably infuriating to have him copy me right back at me, and it still didn’t explain the most important part of the question. “Why do
you
have to do it, too?” I said.
    He shook his head, one quick jerk to the side, as if I was the one asking stupid questions. “I’m
learning
you,” he said. “For my character.”
    “Couldn’t you learn Vince instead?” I said, and even to me I sounded peevish.
    Chase shook his head. “My character isn’t gay,” he said quite seriously.
    By the end of work on Thursday, I was very willing to become gay myself if it meant that Chase would stop copying me. I watched him as he aped everything I did, each small unconscious tic, and I learned that I slurped my coffee, washed my hands too long, and stared at the ceiling pursing my lips when I was talking on the phone. I have never had any problems with my self-esteem; I like Dexter very much, just the way he is. But as Chase’s performing-monkey act went on and on, I discovered that even the healthiest self-image can erode under a barrage of constant, solemn mockery.
    I did my best to soldier on. I told myself that I was following orders, and this was all part of the job and I really had no choice in the matter, but it didn’t help. Every time I turned around, there was a mirror image of whatever I was doing, but with a neat mustache and a perfect haircut. Worse than that, every now and then I would turn and see him simply staring at me, with an otherworldly expression of abstract longing on his face that I could not decipher.
    The days wore on and his presence became more and more exasperating. It was bad enough to have him following, watching, copying me—but even setting all that aside, I found it impossible to like Robert Chase. I admit that I rarely manage to achieve the kind of warm personal bond that
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