was built upon. Her argument was based on her own motherâs storyâone I hadnât heard until that day.
At a time when women were second-class citizens to their hard-working husbands, my grandmother had grown bored of being a housewife and mother. Starting small, she opened a home business for the neighbors, offering cuts and perms and colors at a very reasonable cost.
After paying for her supplies, she saved every cent, until one day she had enough to lease a small storefront on Main Street. Her salon was the very first business in town not owned and operated by a man. By the time the Sixties rolled around and feminists began burning their bras and shouting louder about equality, my grandma had already proven that women were more than a manâs equal when it came to business. And although time and gravity had made it too uncomfortable to burn her own bra, my grandma saw nothing wrong with looking oneâs best while rattling cages.
âYouâre smiling,â says a womanâs voice. âHappy memory?â
I look up into a face thatâs lean, taut, and overly angular. Her cheekbones are sharp with deep-set eyes more almond-shaped than round. Thin-lipped and blunt-chinned, the young woman has the face of someone who finds her calories in cigarettes, cocaine, or vodka rather than onion bagels.
With a shorter haircut, she would be fierce, almost scary, but her hair is the tri-tone color of honey and falls in soft curls to her shoulders. And yet, thereâs something off. But I canât put my finger on it, so I dismiss the thought.
âI was thinking of my grandma,â I say. âAre you Bailey?â
The woman nods and holds out her hand. Itâs an unusual gesture and slightly awkward, more something one expects of men when theyâre trying hard to be grown-ups. I put her in her mid-twenties. I stand and shake. Her skin is rougher than it should be and on the colder side of room temperature. I can feel small bones move beneath my thumb.
âDo you want to follow me to the sink?â she asks.
âActually, Iâm not looking for a haircut. I was hoping we could talk.â
I dig in my pocket for a business card and hand it over.
Her forehead wrinkles as she reads the card.
âI recognize your name from the paper.â Her gaze lifts to study my face, comparing it to the grinning picture on my card. âI liked that piece you did awhile back on the dead artist. Tragic.â
âThanks.â
âIt read like you really knew him.â
âI did. Kind of. Part of him anyway.â
Her lips tighten into a thin line. âYeah, guys can be like that. What do you want to talk to me about?â
âYou placed a Classified ad in our paper recently. It intrigued me.â
âReally? You read it?â
âThis morning.â
âHuh. Well, I donât know what else to say about it.â
âIt was written for your father?â
âYeah.â
âAre you hoping heâll read it?â I ask.
She looks away and reaches up to touch her eye. I canât tell if sheâs attempting to stop a tear or just flicking away a loose eyelash.
âI never really thought that far,â she says. âI just had to let it out, you know?â
I nod. âI find writing cathartic, too.â
âAnd you want to talk to me?â
âIf youâll let me. Maybe we can go somewhere, grab a coffee, see where it takes us.â
She looks away again in contemplation before bringing her eyes back to mine. Her gaze is deep as if she wants to pull back the curtains of my mind to see whatâs going on inside. I worry sheâll frighten the imaginary clockmakerâwho, oddly enough, looks a lot like Geppetto from the Disney version of Pinocchio âwho keeps all my gears oiled and rolling.
âGive me a minute,â she says and heads to the back room.
I sit down again and shuffle through the magazines to see which