floating just behind his eyes. Her blond hair, which still fell to her shoulders in natural Stevie Nicks ringlets. Her eyes, which were always a bit confused.
You stupid little bitch, he thought. You ought to be very grateful that youâre not where I can get my hands on you right now.
âOfficerââ Mary tried.
The cop raised his hand to her, palm out, then put the tiny slit in the Baggie against his nose and sniffed. His eyes drifted closed. After a moment he opened them again and lowered the Baggie. He held out his other hand, palm up. âGive me your keys, sir,â he said.
âOfficer, I can explain thisââ
âGive me your keys.â
âIf you justââ
âAre you deaf? Give me your keys.â
He only raised his voice a little, but it was enough to start Mary crying. Feeling like someone who is having an out-of-body experience, Peter dropped Deirdreâs car-keys into the copâs waiting hand and then put his arm around his wifeâs shaking shoulders.
â âFraid you folks are going to have to come with me,â the cop said. His eyes went from Peter to Mary and then back to Peter again. When they did, Peter realized what it was about them that bothered him. They were bright, like the minutes before sunrise on a foggy morning, but they were also dead, somehow.
âPlease,â Mary said, her voice wet. âItâs a mistake. His sisterââ
âGet in the car,â the cop said, indicating his cruiser. The flashers were still pulsing on the roof, bright even in the bright desert daylight. âRight now, please, Mr. and Mrs. Jackson.â
4
The rear seat was extremely cramped (of course it would be, Peter thought distractedly, a man that big would have the front seat back as far as it would go). There were stacks of paper in the footwell behind the driverâs seat (the back of that seat was actually warped from the copâs weight) and more on the back deck. Peter picked one upâit had a dried, puckered coffee-ring on itâand saw it was a DARE flyer. At the top was a picture of a kid sitting in a doorway. There was a dazed, vacant expression on his face (he looked the way Peter felt right now, in fact), and the coffee-ring circled his head like a halo. USERS ARE LOSERS , the folder said.
There was mesh between the front of the car and the back, and no handles or window-cranks on the doors. Peter had begun to feel like a character in a movie (the one which came most persistently to mind was Midnight Express ), and these details only added to that sensation. His best judgement was that he had talked too much about too many things already, and it would be well for him and Mary to stay quiet, at least until they got to wherever Officer Friendly meant to take them. It was probably good advice, but it was hard advice to follow. Peter found himself with a powerful urge to tell Officer Friendly that a terrible mistake had been made hereâhe was an assistant professor of English, his specialty was postwar American fiction, he had recently published a scholarly article called âJames Dickey and the New Southern Realityâ (a piece which had generated a great deal of controversy in certain ivied academic bowers), and, furthermore, that he hadnât smoked dope in years. He wanted to tell the cop that he might be a little bit overeducated by central Nevada standards, but was still, basically, one of the good guys.
He looked at Mary. Her eyes were full of tears, and he was suddenly ashamed of the way he had been thinkingâall me, me, me and I, I, I. His wife was in this with him; heâd do well to remember that. âPete, Iâm so scared,â she said in a whisper that was almost a moan.
He leaned forward and kissed her cheek. The skin was as cool as clay beneath his lips. âItâll be all right. Weâll straighten this out.â
âWord of honor?â
âWord of
Douglas Preston, Lincoln Child