taking no chances, I wish good fortune to both sides, good swill for all. Or conversely, depending on my mood of the moment, damn both houses and
pox vobiscum
. Swinish politics, our ball and chain.
The gopher snake has deserted me, taking with him most of my mice, and the government trailerhouse is a lonely place this morning. Leaving the coffee to percolate slowly over the lowest possible flame, I take my cherrywood and go for a walk before breakfast. The wind blows sand in my teeth but also brings the scent of flowering cliffrose and a hint of mountain snow, more than adequate compensation.
Time to inspect the garden. I refer to the garden which lies all around me, extending from here to the mountains, from here to the Book Cliffs, from here to Robbers’ Roost and Land’s End—an area about the size of the Negev and, excepting me and the huddled Moabites, uninhabited.
Inventory. Great big yellow mule-ear sunflowers are blooming along the dirt road, where the drainage from the road provides an extra margin of water, a slight but significant difference. Growing among the sunflowers and scattered more thinly over the rest of the desert are the others: yellow borage, Indian paintbrush, scarlet penstemon, skyrocket gilia, prickly pear, hedgehog cactus, purple locoweed, the coral-red globemallow, dockweed, sand verbena. Loveliest of all, however, gay and sweet as a pretty girl, with a fragrance like that of orange blossoms, is the cliffrose,
Cowania stansburiana
, also known—by the anesthetic—as buckbrush or quinine bush.
The cliffrose is a sturdy shrub with gnarled trunk and twisting branches, growing sometimes to twice a man’s height. When not in bloom it might not catch your eye; but after the winter snows and a trace of rain in the spring it comes on suddenly and gloriously like a swan, like a maiden, and the shaggy limbs go out of sight behind dense clusters of flowers creamy white or pale yellow, like wild roses, each with its five perfect petals and a golden center.
There’s a cliffrose standing near the shed behind the trailer, shaking in the wind, a dazzling mass of blossoms, and another coming up out of solid sandstone beside the ramada, ten feet tall and clothed in a fire of flowers. If Housman were here he’d alter those lines to
Loveliest of shrubs the cliffrose now
Is hung with bloom along the bough…
The word “shrub” presents a challenge, at least to such verse as this; but poetry is nothing if not exact. The poets lie too much, said Jeffers. Exactly. We insist on precision around here, though it bend the poesy a little out of shape.
The cliffrose is practical as well as pretty. Concealed by the flowers at this time are the leaves, small, tough, wax-coated, bitter on the tongue—thus the name quinine bush—but popular just the same among the deer as browse when nothing better is available—buckbrush. The Indians too, a practical people, once used the bark of this plant for sandals, mats and rope, and the Hopi medicine man is said, even today, to mash and cook the leaves as an emetic for his patients.
Because of its clouds of flowers the cliffrose is the showiest plant in the canyon country, but the most beautiful individual flower, most people would agree, is that of the cacti: the prickly pear, the hedgehog, the fishhook. Merely opinion, of course. But the various cactus flowers have earned the distinction claimed for them on the basis of their large size, their delicacy, their brilliance, and their transcience—they bloom, many of them, for one day only in each year. Is that a fair criterion of beauty? I don’t know. For myself I hold no preference among flowers, so long as they are wild, free, spontaneous. (Bricks to all greenhouses! Black thumb and cutworm to the potted plant!)
The cactus flowers are all much alike, varying only in color within and among the different species. The prickly pear, for example, produces a flower that may be violet, saffron, or red. It is cup-shaped,