â and I mean everything, Reader â was gold. A figurine of a crude-looking satyr leered at a shepherdess on the other side of the doorway.Fleshy goddesses lolled about on clouds in heavy gilt-framed pictures. The chairs were painted gold, the drapes made from golden silk. I had the impression if I stood still any longer I would find myself gilded to the spot. It was the most ostentatious display of wealth and poor taste Iâd ever had the misfortune to see.
The butler opened the door in front of us with a flourish.
âYour guest has arrived, sir,â he said in sepulchral tones.
If the first floor landing was a study in gold, this drawing room was an exercise in white and glass by some unhinged set designer for the pantomime. It was like standing inside an ice sculpture. A huge cut-glass chandelier dripped from the ceiling; mirrors glittered from the walls, snowy painted floorboards stretched at my feet. Impractical white-covered furniture floated like icebergs on an Arctic sea.
âIâll disappear if I set foot in here,â I joked to the butler, looking down at my dress. âAll youâll see is a ginger head bobbing about.â
His face refused to crack. He ushered me forward.
âSuit yourself, shipmate,â I muttered as I launched myself into the room. I shouldnât have expected Shepherdâs employee to be friendly â or to have a sense of humour.
I didnât see Billy at first. That was because he was lounging on the chaise longue at the far end of the room in his shirt sleeves and white silk breeches, his dark hair caught back with a black ribbon. I snorted with ill-timed laughter. Heâd obviously planned this white-thing to impress me.
âCat!â Billy exclaimed, rising on his elbow as he helped himself to a fistful of cherries. âA pleasure to see you as always.â His grey eyes sparkled with mischief â he must have something unpleasant planned for me then.
âThe pleasure is all yours, Billy,â I said briskly. âWhatâs all this about? I havenât got time to waste playing games with you.â
He spat a cherry stone into a silver bucket. It rang like a bell and I could see he was pleased with the effect.
âTake a seat, make yourself at home,â he continued, waving me towards a chair opposite him.
âA gentleman wouldâve risen when a lady entered the room.â I paused by the seat but did not sit down.
âWell, when one comes in Iâll make sure I stir myself.â
Ouch! I walked into that one. A point to him.
âSit down, sit down, Moggy. Our business might take some time. No need to stand on ceremony.â
True. Remaining standing in his presence was a bit too much like a courtier before a king. I sat down.
âCherry?â
I shook my head. âVery nice, Billy,â I commented, looking around the room. âVery . . . er . . . tasteful.â
He missed the irony. âGlad you like it. Iâm havinâ the place done over by Londonâs top craftsmen. Every room has a theme.â
I noticed that he over-pronounced his haitches. So, he was taking elocution lessons too, was he?
âWhatâs the subject of this one then? Bedlam?All you need are a few lunatics in white gowns and the picture would be complete.â
He grinned. His teeth were as bad as ever. âNah, Iâve got you for that, Cat, ainât I?â he quipped, slipping back into his old manner of speaking.
âYouâre right, Billy. I was mad to come.â
âYou âad no choice.â His manner stiffened; he sat up, scattering cherry stones on the white rug at his feet. We were getting down to business at last.
âWhat was it to be if I hadnât come? A knife in the ribs or a trip down the Thames?â
âWould I do that to you, Cat?â he asked with feigned innocence, hands spread wide. âMe, a respectable man of property?â
âRespectable, my