of her skin. And Trudy Mayfieldâs name was just that: a name. I had no image of her face, no further memories of her sitting beside me in a classroom or over sloppy joes in the school cafeteria.
Shortly after these realizations, I put the journal away. Best not to think about it, I told myself. I had a present, a life that gradually was taking on form, and that was what was important. Not the past, not history, not the stumbles and snags of a faulty memory.
I go into the bathroom, tear the weightless plastic cup out of its paper cocoon, fill it from the tap, and drink. When I come back, the couple (threesome?) next door has again taken up the challenge.
The second envelope contains a copy of the police report on the death of one Raymond Hicks, discovered by his common-law wife early that morning in their home on Colorado. The only mark on Mr. Hicks was a small incision beneath his nipple by way of which, with some flexible knifelike object and what the ME called âastonishing surgical skill,â the ventricles of his heart had been pared away like quarters of an apple.
Rain streams on the window. Momentarily I feel like some ancient aquatic being, sequestered from evolutionâs progress in the depths of its cave and forgotten. When a truckâs lights break suddenly against the rain there, Iâm startled.
Raymond Hicks was the name Howard the Horse had given me back in Memphis.
8
Itâs good to see you.
âHow longâ¦?â
Three years.
âWhat happened?â
Beats me. Woke up one day and turned over to say good morning to whoever was there and I couldnât. Now I write on this blackboard, like some kid. Nothing wrong physically, the doctors say. Hell, Dave, Iâm sixty-two: thereâs a lot wrong physically .
âSo at this advanced age youâve become a writer.â
Ha. It ainât funny, I guess. But then if it ainât funny, what the hell is it?
âLife.â
Yeah, life. Joke without a punch line. So how you been?
âGood, Blaise. It was rough at first.â
Letting go, you mean.
âYes.â
It was hard taking hold at first, too. You forget?
âNo, I havenât forgotten. Anything. Including the fact that I wouldnât be here now, probably wouldnât have returned from my second assignment and certainly not from my tenth, if it hadnât been for you.â
So youâre welcome. You have someone to tell good morning?
âYes. Her nameâs Gabrielle.â
Good. Thatâs important. You never did before. Maybe someday Iâll get a chance to meet her. You can take us both to dinner.
âIâd like that.â
Youâd like it a lot more after a few years of the oatmeal soup here.
âI hope youâre kidding.â
With croutons. Just a guess, of course. Canât tell a thing by looking at it, even less from tasting it. You ever get around to reading that Frenchman I told you about?
âCendrarsâyour namesake. Some of it. What I could find in translation. Amazing stuff.â
Amazing life. What are you doing these days?
âIâm an artist, Blaise.â
Always were. Saw it in you from the first. Told Johnsson that.
âA different kind of artist.â
Different, huh? Everybodyâs hard behind change these days. Like thereâs always been something wrong with us and we just noticed it so now weâre going to do something about it. People and things all changing so fast you canât hold on to any of them anymore.
âI never could.â
Yeah. I guess maybe none of us could.
âAre you doing okay?â
Iâm not doing at allâthatâs the problem. But yeah, I have what I need. Johnsson and the others, they see to that. He bring you in because of Luc?
âYes, sir.â
Thought he would. You still that kind of artist too?
âYou mean, am I going to pull Luc down for him?â
It wouldnât be for him.
âShould I?â
You