open.
They stood facing each other.
Behind her, the dark street, visible through the corridor window; behind him, the new apartment, aglow in the lily-white light.
They hugged before parting.
He went out to the balcony, but he failed to catch a glimpse of her slender figure retreating into the night. He heard only a violin from an open window above the curve of the street. Two lines from Li Shangyin’s “Zither” came to his mind:
The zither, for no reason, has half of its strings broken,
One string, one peg, evoking the memory of the youthful years.
A difficult Tang dynasty poet, Li Shangyin was especially known for this elusive couplet. Certainly it was not about the ancient musical instrument. Why, all of a sudden, the lines came rushing to him, he did not know.
The murder case?
A young woman. A life in its prime wasted. All the broken strings. The lost sounds. Only half of its years lived.
Or was there something else?
* * * *
Chapter 3
T
he Shanghai Police Bureau was housed in a sixty-year-old brown brick building located on Fuzhou Road. The gray iron gate was guarded by two armed soldiers, but, like the other policemen, Chen entered the bureau through a small door adjacent to a doorman’s kiosk beside the gate. Occasionally, when the gates were opened wide for some important visitors, what could be seen from the outside was a curving driveway with a peaceful flowerbed in the middle of a spacious courtyard.
Acknowledging the stiff salute of the sentry, Chief Inspector Chen made his way up to his office on the third floor. His was just a cubicle within a large office which housed over thirty detectives of the homicide department. They all worked together, at communal desks, rubbing shoulders and sharing phones.
The brass name plaque on his cubicle door—Chief Inspector Chen Cao—shining proudly in the morning light, from time to time drew his gaze like a magnet. The enclosure was small. A brown oak desk with a brown swivel chair occupied much of the space. A couple of teacups had to stand on a dark green steel filing cabinet by the door, and a thermos bottle, by a bookshelf on the floor. There was nothing on the wall except a framed photograph of Comrade Deng Xiaoping standing on Huangpu Bridge under a black umbrella held by Shanghai’s mayor. The only luxury in the office was a midget refrigerator, but Chen had made a point of letting all his staff members use it. Like the apartment, the cubicle had come with his promotion.
It was generally believed in the bureau that Chen’s advance had resulted from Comrade Deng Xiaoping’s new cadre policy. Prior to the mid-eighties, Chinese cadres usually rose in a slow process, step by step. Once they reached a certain high level, however, they could stay there for a long time, and some never retired, hanging on to their positions to the end. So a chief inspector in his mid-fifties would have considered himself lucky in his career. With the dramatic change Deng had introduced, high-ranking cadres, too, had to step down at retirement age. Being young and highly educated suddenly became the crucial criteria in the cadre promotion process. Chen happened to be qualified in both aspects, though his qualifications were not so warmly regarded by some officers. To them, educational background did not mean much. Especially Chen’s since he had majored in English literature. They also felt that age signified experience in the field.
So Chen’s status was a sort of compromise. As a rule, a chief inspector would serve as the head of the homicide department. The old department head had retired, but no successor had yet been announced. Chen’s administrative position was just that of leader of a special case squad, consisting of only five people including Detective Yu Guangming, his assistant.
Detective Yu was not visible in the main office, but among the mass of papers on his desk, Chen found