caused.â
Two things about the Contessa that Urbino had never doubted were her intelligence and her morality. If her morality sometimes seemed inflexible, it wasnât reserved only for others. She conducted herself in accordance with the strictest principles. Urbino would have been shocked to learn otherwise. He never listened to any of the gossip that circulated within the insular, suspicious society of long-established Venetians who still considered her an interloper after thirty years.
âBut surely you arenât implying that Clifford Voydâthe great Clifford Voydâdid anything that could have led that poor woman to throw herself from her window in the middle of the night? From what I understand they were great friends.â
âMy dear Urbino, how much longer will you have to live before you realize that it isnât the things we do that cause the real sorrows of our life but the many, many things we donât?â Then, as if he might have missed her point, âSins of omission, you know.â
Yes, he knew. Bless me, Father, for I have sinned, I accuse myself of not ⦠The list was by now too long to contemplate.
âWhat is it that the great Clifford Voyd didnât do?â
âHe didnât see what he should have, that she was in love with him, that she felt encouraged, that she hoped.â
âThey were friends.â
She took a sip of tea before she said with emphasis, the cup still in her hand, âIn that kind of friendship itâs always the woman who suffers. Such men should know themselves better. They should curb their charm.â
It was as if she were talking about such men getting their hair cut or dressing down for certain social occasions.
âVoyd does have a great charmâand a great talent.â
âIs it so great, his talent?â she asked, echoing what she had asked earlier about Margaret Quinton.
âYou know it is, Barbara. Youâve read his books. Heâs one of the best. Heâs won all the prizes except the big one and his name is on the list every year.â
âAll that isnât good enough for me. It wasnât good enough for Margaret Quinton either.â
Once again she stared out at the Piazza. It had started to rain and people were taking shelter under the arcades. Something seemed to catch her attention.
âDonât be upset, Urbino,â she said, turning back to him, âbut itâs Stefano.â
He had no idea why she thought he might be upset. He looked out the window to see Stefano Bellorini hurrying across the Piazza from the Mercerie, his head with its fringe of fading Venetian-red hair angled against the rain.
The Contessa must have realized he was puzzled by her comment.
âI mean about being interrupted,â she clarified.
From the slight frown that worried her face, however, it seemed that she was the one upset by the entrance of the craftsman. She had just time to tell him that Bellorini wanted to show her the sketches for the frames he was making for some small family photographs of hers before the man hurried into the room and came up to their table.
âIâm so sorry, Barbara, but I canât find them,â he said before even saying hello.
The fiftyish Bellorini looked crestfallen. He took out a handkerchief to dab at the top of his head. Droplets of water glistened in his full beard and moustache that had most likely been grown to compensate for the almost complete absence of hair above. Bellorini had the understandable vanity of a man whose youthful good looks had been cruelly treated by time. One of the few remnants was his deep blue eyes that hadnât faded with age. They were troubled now.
âI told you there wasnât any need to bring them here. They can wait until this evening. Youâll find them.â
âBut to bring business to your celebration, Barbara!â
He took off his glasses and wiped them.
âI was just trying