Longfreth Prize (twice!), the panel of judges likening her scholarship to the work of Alperovitz and Harms, pioneers in the field.
Ali is publishing in some of her discipline’s top venues. Comparative Film and Culture in particular—a highly selective, peer-reviewed journal—is a scholarly coup.
Given her publications, her increasingly national reputation, and her teaching record (eleven advisees!), Ali is a shoo-in. We both know that. I hope her department chair musters the reams of paperwork needed to satisfy your army of bean counters in Lefferts Hall. A divagation here: Have you entered Willard Hall lately? In case, over there among the functional radiators and other amenities in Lefferts, you’ve forgotten that English faculty members are living in a construction zone, allow me togive you a virtual tour. The front and back doors of our building are blocked—sealed and crisscrossed with yellow tape as if to indicate a crime scene—so you must enter through the basement. But don’t use the elevator, a nightmarish herk-and-jerk contraption known to hijack its occupants and leave them stranded midfloor. You can’t access the second (Econ) floor in any case: a silken banner advises you to PARDON OUR MESS! —a euphemistic reference to the fact that workers equipped with respirators are spilling toxins onto our heads in the servants’ quarters, where, once you overlook the chipped and ancient linoleum and the cracks in the wallboard, you will find a sign that welcomes visitors, eloquently, to the Department of ENGLI_H .
Professor Ali’s teaching record is, without doubt, superb. The only smudge on it results from the fact that some clueless sadist assigned her an introductory lecture course during her first two semesters on campus (which would have been an occasion for spectacular failure for most junior faculty—but Professor Ali’s evaluations were well above par).
A note here—excuse the indelicacy—on the men’s room in Willard: a subtle but incessant dripping from a pipe in the ceiling (perhaps from the Jacuzzi or bidet being installed for our Economics colleagues) is gradually transforming this previously charming depot into a fetid cavern. The tile floor is often slick with liquids and, because desperate citizens have propped the door open, odors now regularly waft out into the hall. I might as well set my desk next to the urinals.
In sum, Ali’s is an open-and-shut case, yet another occasion for faculty members to set their work aside in order to cobble together encomiums and tributes like train cars chugging in an endless loop through campus. If faculty were able—even encouraged—to dedicate the same amount of time to our research and writing, we might stop sinking like a stone in the national rankings and have a chance to be a reasonably respectable school.
Finally, as for your recent memo on financial prudence: Good lord, man. We know about the funding crunch, we aren’t idiots; but we also know that your fiscal fix is being applied selectively. For those in the sciences and social sciences, sacrifice will come in the form of fewer varieties of pâté on the lunch trays. For English: seven defections/retirements in three years and not one replaced; two graduate programs no longer permitted to accept new students; and a Captain Queeg–like sociologist at the helm. The junior faculty in our department will surely abandon their posts at the first opportunity, while the elder statesmen—I speak here for myself—may exact a more punishing revenge by refusing to retire.
I thoroughly endorse Professor Martina Ali’s bid for promotion to associate professor with tenure.
Cordially and with the usual succinctness,
Jay Fitger
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* See Professor Jorg Masterson’s infamous class, Dis/guise and Dis/gust, to which students are invited to bring “rancid food and a costume or mask.”
November 11, 2009
Bentham Literary Residency Program P.O. Box 1572
Bentham, ME 04976
Good Afternoon,