person to drink. “Hi, Mr. Snuggles,” I said, and awaited the appearance of a human or the sound of a voice telling Mr. Snuggles to shut the heck up.
None came. I rang the doorbell again, which brought on another of Mr. Snuggles’s jumping fits. Was anyone home? I looked around for cars, but the driveway was some distance from the house, presumably leading to a garage or carport in the back. Maybe the family was simply out of town, and Annika with them, in a place without telephone access. A canoe trip, for instance. An impulsive, spur-of-the-moment canoe trip. Perfectly good explanation, I decided, and I descended the porch steps, preparing to leave.
A big white bird waddled up the flagstone path to meet me. Too fat for a swan, too white for a turkey, it was, I deduced, a goose.
“Hello, Goose,” I said, walking toward it.
The goose took exception to this, flapped its wings violently, and honked. I backed up.
This was a mistake. The goose lunged at me, enraged, honking and hissing. I turned to get out of its way and stumbled over a rosebush, and the goose was on me, pecking my calf through my painter’s pants. This hurt a lot more than one would think. I became a little enraged myself, and more than a little scared, and tried to kick the bird. As I was wearing Keds, the damage would’ve been minimal, but in any case, I missed. The goose came at me again. I swung at it with my backpack, missed again, and with my right hand slapped at it, connecting slightly. Then I turned and ran.
The goose, affronted by the slap, intensified its demented honking and came after me. We ran around to the back of the house, and I spotted the garage. It was a six-car garage, with five cars in residence. I jumped into the back of a pickup truck, a Toyota Tundra, and ducked.
I’ve been in some undignified situations in my life, but hiding from poultry was a low watermark. It worked, though. The goose gave a few more honks, but they lacked conviction. It must have seen me jump into the truck, but either geese have short memories or it felt I’d conceded the fight, because it waddled off toward the house. I know this because I peeked.
Suddenly I heard the song “Anatevka,” from
Fiddler on the Roof,
coming from somewhere behind the house. I climbed out of the pickup and saw drops of blood; the palm of my hand was wounded. Happily, the Toyota was red. There was also a minivan, a bright green Volkswagen bug I’d seen Annika drive, and a white Lexus inhabiting the garage. In the driveway was a Range Rover. All the vehicles looked freshly washed.
“Anatevka” grew louder. I followed the sound across the lawn and came to a structure that appeared to be some sort of guesthouse or artist’s studio. The door was open. I looked in.
The structure was a high-ceilinged, skylit room. Along one wall was a kitchen, dominated by a granite island work surface. The rest of the space was a hobbyist’s dream: power tools, gardening supplies, sawhorse, sewing machine, kiln, easel, loom, and computer artfully arranged, a masterpiece of organization and aesthetics. A working fireplace occupied the wall opposite the kitchen. Autumn leaves and pomegranates covered the granite work surface, a wreath-making project in progress.
Across the room, a woman with her back to me stood on a ladder. She wore heels. She was stacking glass bottles in compartments on floor-to-ceiling shelves. Dozens of bottles filled the shelves, the kind used for lotion or bath oil, Art Deco–looking things in amber, violet, and moss green. A subtle scent, spice or oil or potpourri, permeated the room. It reminded me of Annika. Near the loom sat a little girl, playing with the volume on a CD player. The mournful “Anatevka” zoomed in and out.
“You are making Mommy a little crazy,” the woman said, without pausing in her jar arranging. “Please stop.”
“Dora the explorer, Dora the explorer, Dora the explorer,” the little girl chanted.
“If you watch
Dora the