travelled to Paris, where he played tennis with Ezra Pound, and boxed a few inevitable rounds with Hemingway, and bought on a whim a polo pony he never rode and attended a séance conducted by the English black magician, Aleister Crowley. In the manner of all men quietly traumatised by the carnage of the trenches, he drank too much and spoke too recklessly and could discover no great hope or value or salvation in human life.
And how would he, I wondered on hearing this, inured to the practicalities of life by such fabulous wealth?
Spalding spent a period in the middle 1920s in England. He had put out on a jaunt from Dublin Bay and was forced for refuge to Liverpool by a storm that almost destroyed the
Dark Echo
. He found the climate, and perhaps the northern coolness of the people and their detachment, more congenial to his soul than continental Europe. This was the time of his winning things at Cowes and in other places, the great lines of his boat forming a familiar, celebrated shape against the dappled waters of the Solent.
In Cowes, his exploits on the water were still an awed folk memory among old salts whose grandfathers had piloted or crewed in races for Harry Spalding. They still talked about the way you had to watch out for his evil bull mastiff, Toby, should a chart be required and the aft cabin therefore need to be risked. And they still talked about tips aboard a winning boat so lavish that a man could spend the next six months idle, arse parked on the beach in a Ventnor deckchair.
There was amazement at the memory of the yachtsman Harry Spalding, but there was no fondness. And he had possessed no love for himself, it seemed. For in the coldDecember of 1929, he had lain down in a Manhattan hotel with his boat berthed in the thickening ice of New York Harbour a mile and a half away and had put a bullet from his own gun into his right temple. He was thirty-three years old and made a beautiful corpse. Even the NYPD detective called to the scene to investigate said as much, seeing Harry in deathly repose. He looked serene in death. The only mark on him was the small hole left by the bullet and a dark, delicate halo of powder burn around the hole. There was no exit wound. The bullet had apparently lodged in his skull.
Having drunk too much to drive, I left the Saab on its meter and saw my father safely into a Mayfair-bound cab before walking across Lambeth Bridge to the home I shared with Suzanne on the other side of the river. When I got in and had taken off my coat, I looked into her tiny study and switched on the light. The air in her workspace retained the subtlest hint of her scent and I inhaled what there was of it gratefully. There were reference books in a line on the window sill with yellow slips of paper marking crucial passages. The award she had won for her work on a three-part documentary series on the elusive Rudolph Hess sat, a little silver-mounted perspex trophy, on top of her computer monitor. She had Blu-tacked it there, incredibly proud. The sight of it now made me smile. The wall she faced when she worked was a gallery of the gifted and the infamous whose mysteries she had worked hard to unravel. There was Auden and the Kray Brothers, and a pencil sketch of Christopher Marlowe and a sepia studio shot of Dan Leno in costume. Among the collage of pictures on the wall was the famous shot of Michael Collins, thin-lipped and preening in his leather gloves and army uniform as Chief of the Irish Free State, a Parabellum pistol swinging on his hip. I studied him. And the man who did for the Cairo gang in one bloodynight of assassination looked a cosy sort of fellow altogether, when I recalled the picture I had seen earlier that evening of the Jericho Crew and their leader, Harry Spalding.
I noticed that the flowers in a vase sharing the sill with her books were dying. I would buy a fresh bunch to greet her return. I switched off the light, shaking my head. The flat felt very quiet and empty in