Dante's Numbers Read Online Free PDF Page A

please. Now.”
    “Why?”
    He didn't like guns. He didn't like the sight of a Carabiniere in full dress uniform storming madly across this normally peaceful park in their direction.
    The rider was getting closer. Maggie rose to stand next to Nic. Her arm went immediately through his, out of fear or some need for closeness, he was unsure which. Briefly, Costa wanted to laugh. There was something so theatrical about this woman, as if the entire world were a drama and she one more member of the cast.
    “Let me deal with it,” Costa insisted, and took one step forward so that he was in front of her, confronting the racing horse that now made a sound like an insistent drumroll, or the rattle of some strange weapon, as it flew closer. The man's insane dash across the green grass of the Villa Borghese seemed to have only one point of focus, and it was them.
    The officer pointed his weapon in the air and fired. From somewhere nearby a dog began to bark maniacally.
    As Costa watched, the uniformed man leaned forward in the saddle, as if preparing for one final assault.
    Nic felt as if he'd walked unbidden onto some movie set, one with a script he couldn't begin to fathom. The Carabiniere was in a crouch, racing furiously to close the distance that separated them. The sight reminded Costa of some old movie, The Charge of the Light Brigade maybe. Something that began as a show of bravado and ended in a shocking, unforeseen tide of bloodshed.
    “Who the hell is that?” Maggie asked.
    “Here's an idea. Let's not find out.”
    He grabbed her slender arm, both tugging and pushing her towards the closed wooden door of the tiny cinema. Seconds later, there was a thunderstorm of desperate hooves behind them and the rhythmic beat of the animal's angry snorts. He shoved the American inside, protesting still.
    “Don't cops here carry guns?” she demanded, squirming out of his arms as he pushed and kicked a way in, opening up the black interior in which the movie still flickered over a handful of small heads.
    “To go to the cinema?” Costa asked, bewildered. “Please…”
    “Maggie! Maggie!”
    The Carabiniere was screaming for her as he fought to control the horse. Costa had seen enough cowboy films to know what came next. He'd dismount. He'd come for them.
    “Who is this guy?” she pleaded, struggling against him.
    “Your biggest fan?” Costa wondered, before he snarled at the attendant to call for the police.
    Of course he didn't carry a gun, Costa thought. Or even a radio. They were there for what was supposed to be a pleasant social event, and to watch lazily as someone unveiled a seven-hundred-year-old death mask. Not to encounter some crazed Carabiniere who rode like John Wayne, and seemed able to handle a weapon just as efficiently.
    There was a fire exit sign on the far side. He found the light switches and turned the black interior of the cinema into a sea of yellow illumination. No more than seven kids sat in the tiny seats in front of him, each turning to blink at him resentfully.
    “Go out the other side,” Costa yelled at them.
    No one moved.
    “Bambi 's not finished,” objected a small boy with a head of black choirboy hair. He could have been no more than five or six and didn't look as if anything would move him.
    Maggie Flavier was strong. She fought as Costa dragged her over to the projection room, a place he'd visited once, when he was a child, in the company of his father. Then he kicked open the little wooden door, saw there was no one inside, and thrust her into the cubicle, ordering her to keep quiet, then shutting the door to keep her from view.
    When he turned, he found daylight streaming through the entrance again. The Carabiniere walked in, the black gun in his right hand, held at an angle, ready for use.
    Costa stepped in front of him, blocking his way.
    “There are children here, Officer,” he said calmly. “What do you want?”
    “I'm not an officer, you idiot,” the man in the uniform said