pool of ink, like a scalp, floating on top of their dome. Sure, but that happens with every social change. I think Ned’s trying to talk about Thailand now. He probably doesn’t even know where it is. I think it’s next door to Vietnam or Cambodia. I’m just going to close my eyes and drift for half an hour, nod off, half-closed eyes, watching this beautiful girl in the pink&greensplash print dress moving her legs back and forth like a stationary dancer in the dark, car sounds, Paul talking about raspberry pie with ice cream, sounds good. I’m not going to wind up on any street corner, or hanging out at some dick bar or coffeehouse; I’m going to get behind the best singers that come along, the best singers, with the best songs, I’m going to put down bass lines that they can move around, dance, sing, for hours.
DARK PIGMENTATION & LIGHTLY COLOURED AMERICANS
I have a copy of Dany Laferrière’s
An Aroma of Coffee
sitting at the far end of the long table
where I sit & work
in the morning. This is a clear & blue morning
about -10° with some random patches of white snow. The kind
of January day I like although I’d probably rather be in St. Kitts
or the rural market-gardening west side of Florida. I’m trying to think
about what dark pigmentation has to do with anything
except that it’s a colour. Okay, different people have curly black
hair,
or blue eyes, or blond hair, or grey eyes, or hazel eyes. And
I think, it’s simply a tradition of colour
coding
– practised by various
dark pigmentation & lightly coloured Americans. Charlie
Parker was a genius, period, I don’t see him as a
black
musician.
Mike Tyson is a boxer, that’s what he does. Nina Simone is a singer.
I’m not crazy about Billie Holiday at times because
she doesn’t state the pain & then rise above the pain. Laferrière’s
book is an extraordinary novel because it’s so clear
& so evocative. You can just read it one sentence at a time
& it’s simple, but it adds up to a complex image
& it’s perfect. It’s a book about a place, Haiti, in this case,
where he was born before he came to Montreal & then to Miami,
& also
a period in your life when sometimes you’re a child
& sometimes you’re letting go of childhood – & then of course
you’ll probably have to send a postcard from a different city,
Miami, & you’ll say things are good here, & you’ll probably say
it in French, always in large distinctive writing,
not black but simply
the writing of a person with a great visual sense of detail
& a very clear mind.
I think Dany Laferrière
& Wynton Marsalis are both dark pigmentation Americans.
I would describe myself as a lightly coloured American. Not
as a “white.”
Actually Dany’s postcard arrived in dark blue
Pentel,
blue is a contemplative colour
& it’s his story as he sees it now from Miami.
GREAT DANES IN AUTUMN
I call the largest of the 2 Great Danes
Alice,
he’s the largest of the 2, & 3 months older. The female
is William,
because Gertrude Stein loved William James,
the author of
Pragmatism
,
for his quirky and generally exact intelligence.
This is
Laura speaking, she
says, “I think you like Alice because he’s
got such a big schlong,”
& she laughs, she’s standing here
on the front lawn of her parents’ summer house in Uxbridge
wearing a sleeveless wide-vent pale lemon yellow blouse
& loose floppy plaid shorts. She has great legs, long & tan,
but you can’t see much above her knees
one of which has a grass stain. I’m leaning over Alice
who has come out to meet me with my hands flat on his shoulders
his big head is almost up to my waist
he’s huge and he’s 3 years old