say it doesnât matter, go to sleep.
Struck a lifeline horoscope
Of luck, speedkid, handy with women â
Which years will balance
In give, take or ruination,
Seeing all but never everything.
Sleep beyond the iced bite of the moon,
Being what you are this moment
Free with innocence but lacking milk
Soon to become all you do not feel,
Advancing against
The normal hazarding inroads
That spin life into havoc:
Power to dissect visions
Like the yolk and mucus of an egg,
And build up certain freedoms from the moon.
TREE
A broad and solid oak exploded
Split by mystery and shock
Broken like bread
Like a flower shaken.
Acorn guts dropped out:
A dead gorilla unlocked from breeding trees,
Acorns with death in their baby eyes.
A hang-armed scarecrow in the wind:
What hit it? Got into it? Struck
So quietly between dawn and daylight?
With a dying grin and wooden wink
A lost interior cell relinquished its ghost:
In full spleen and abundant acorn
A horn of lightning gored it to the quick.
Trees move on Fenland
Uprooting men and houses on a march
To reach their enemy the sea.
Silent at the smell of watersalt
Treelines advance. The sea lies low,
Snake-noise riding on unruffled surf
While all trees wither and retreat.
Out of farm range or cottage eyes trees make war
Green heads, close as if to kiss
Roots to rip at quickening wood of tree-hearts
And tree-lungs, sap-running wood-flesh
Hurled at the moon, breaking oak
Like the dismemberment of ships,
At the truce of dawn wind trumpeting.
Sedate, dispassionate and beautiful
They know about panic and life and patience
Grow by guile into nightâs
Companions and dayâs evil
Setting landmarks and boundaries
That fight the worms.
Trees love, love love, love Death
Love a windscorched earth and copper sky
Love the burns of ice and fire
When lightning as a last hope is called in.
Boats on land they loathe the sea
And wait with all arms spread to catch the moon:
Pull back my skin and there is bark
Peel off my bark and there is skin:
I am a tree whose roots destroy me.
DITCHLING BEACON
End of life and before death
Feathers dipping towards oaken frost
A bird heard that shot:
The ink sky burst,
Stone colliding with the sun
Echo stunned its wing
String hauled it down.
Gamekeeper or poacher
Cut its free flight to the sea.
Vice had tongue, veins, teeth
Dogs in panoply, pressure
To ring a sunspot fitting neat
The blacked-out circle of a gun.
LIZARD
Fiddle-tongue and spite
Hang as if asleep
Safe on his tipped world,
But lizard-shoulders hunch
Pulsate at a fly on slanting wall.
Belly smooth, feet stuck firm
A thousand volts of paralyzing tongue
Rifle out and kill;
Weapons in one stomach pit.
Death is quick when looked on,
Sweet as food when the lamps of paradise
Blacken a brain that one day
Hoped to know.
Sparking tongue ignites
A common wink and into oblivion:
The lizard unaware of upside down
Eats as it runs.
EMPTY QUARTER
He meditates on the Empty Quarter:
Mosque of sand dissolving through eggtimerâs
Neck. Looks on camel-loads
Starting for Oman or Muscat
By invisible Mercatorâs thread
That burns the hoof and shrivels
All humps of water. Empty Quarter lures,
He travels with his heaped caravan
Earth-tracks marked as lines
Of unstable land, golden sandgrit
Lifting up grey dunes near vulcan-
Trees and foul magnesium wells
That asps and camels drink from.
He throws off bells, beads, silk, guns
Knives and slippers, scattering all
No longer needed â camel meat
For scavengers, everything
But his own dishrags of flesh.
Naked and demented he hugs
A tree rooted in the widest waste
Catching dew from God at dawn
And dates dropping through rottenness,
Tastes the lone treeâs shade
No one can chop or whip him from,
Till one day ravelled in his own white flame
He abandons the Empty Quarter
And trudges back to terrify the world.
FIRST POEM
Burned out, burned out
Water of rivers