taken:
Simple condition but multiple fraction.
One is a doll: the other will waken.
Simple reflection, simple refraction.
Plus or minus, but never just ONE.
Simple equation but multiple action
Ten little nigger boys: now there are none.
V
My uncle has entered his soliloquy.
The candles shed their fur.
O world be nobler for her sake.
The boys hang in the vestry, the days
Are drawing in. Blow out the flesh,
The three-score ten of candles,
This squalid birthday-cake.
Give us to God with slim and shining handles.
All this Peter and Paul knew,
Talked over in the nazarene evenings,
Walked over Galilee arm in arm,
Moved by no wires, by pure imagination.
The prophet who sat under the tall rock
Wrote in a small pure hand this canon
For stockbrokers to read at Cannon Street,
At the Metropole, around the Maypole,
Or smiling in the Ritz: perhaps to endow
An evening conversation at the Plough.
Cousin Judas, let us admit
It is the hour for affirmations,
Let us affirm the no-claim bonus,
The wages of sin, let us admit
Chaos itself as a form of order,
Bear the sinnerâs pretty onus,
Rediscover the taste of ashes,
Crucify the choirboys: and above all
Preserve the senseless trajectory,
The doom of the bobbin in the loom,
From the rectory to the priory,
From bed to refectory,
From little womb eke to little tomb.
In the name of the Great Whale, then,
Be hale and whole! Amen.
1943/ 1938
EGYPTIAN POEM
EGYPTIAN POEM 1
And to-day death comes to the house.
To-day upon the waters, the sunset sail,
Death enters and the swallowâs eye
Under the roof is no larger and darker
Than this scent of death.
A disciple crossed over by water.
The acorn was planted.
In the Ionian villa among the marble
The fountain plays the seaâs piano,
And by the clock the geometric philosopher
Walks in white linen while death
Squats in the swallowâs eye.
The dogs are muzzled. Lord,
See to the outer gate, our protection.
I rest between the born and the unborn.
The father, the mother, the baby unicorn
Intercede for me, attended the christening.
Exempt me.
I have friends in the underworld.
1943/ 1 938
1 Originally published as âEgyptian Pasticheâ.
CAROL ON CORFU
(1937)
I, per se I, I sing on.
Let flesh falter, or let bone break
Break, yet the salt of a poem holds on,
Even in empty weather
When beak and feather have done.
I am such fiddle-glib strokes,
As play on the nerves, glance the bare bone
With the madmanâs verve I quicken,
Leaven and liven bodyâs prime carbon,
I, per se I, alone.
This is my medicine: trees speak and doves
Talk, woods walk: in the pith of the planet
Is undertone, overtone, status of music: God
Opens each fent, scent, memory, aftermath
In the sky and the sod.
O per se O, I sing on.
Never tongue falters or love lessens,
Lessens. The salt of the poem lives on
Like this carol of empty weather
Now feather and beak have gone.
1943/ 1938
LINES TO MUSIC
Ride out at midnight,
You will meet your sun.
Into what arsenal now seem fallen
The germs of the plum and the peppercorn?
The born and the unborn will report
What poison licks the wheat,
Or in the melonâs gold retort
Repeat what melody fattens the leopard
From his motherâs dusky teat.
Ride out at midnight
And number the sparrows.
Who put great wings to the Ark?
Who gave the unicorn spurs?
Only the women with thighs like mackerel,
Nourish the germ of the man of sorrows,
Are true to their monsters.
Be you to yours.
1960/ 1938
THEMES HERALDIC
I
If I say what I honestly mean
Itâs only because
I honestly mean what I say.
Shall I renounce you for a new theme
Who are a warm green stone, green girl,
Warm in a white bone bed?
It is no victory to write you,
But to become you. Gnosis
By osmosis. Knowing in becoming.
Desire is quite heraldic yetâ
A lion or griffin on a playing-card,
Or Fiat Voluntas, and a page of uncials.
What do we care, though? I imagine