are all tainted with viral origins. The whole quality of human consciousness, as expressed in male and female, is basically a virus mechanism. I suggest that this virus, known as âthe other half,â turned malignant as a result of the radiation to which the Cities of the Red Night were exposed.â
âYou lost me there.â
âDid I indeed.⦠And I would suggest further that any attempts to contain Virus B-23 will turn out to be ineffectual because we carry this virus with us,â said Peterson.
âReally, Doctor, arenât you letting fantasy run away with you? After all, other viruses have been brought under control. Why should this virus be an exception?â
âBecause it is the human virus. After many thousands of years of more or less benign coexistence, it is now once again on the verge of malignant mutation ⦠what Doctor Steinplatz calls a virgin soil epidemic. This could result from the radiation already released in atomic testing.â¦â
âWhatâs your point, Doctor?â Pierson snapped.
âMy point is very simple. The whole human position is no longer tenable. And one last consideration ⦠as you know, a vast crater in what is now Siberia is thought to have resulted from a meteor. It is further theorized that this meteor brought with it the radiation in question. Others have surmised that it may not have been a meteor but a black hole, a hole in the fabric of reality, through which the inhabitants of these ancient cities traveled in time to a final impasse.â
THE RESCUE
A sepia etching onscreen. Written at the bottom in gold lettering: âThe Hanging of Captain Strobe the Gentleman Pirate. Panama City, May 13, 1702.â In the center of the square in front of a courthouse Captain Strobe stands on a gallows platform with a noose around his neck. He is a slender handsome youth of twenty-five in eighteenth-century costume, his blond hair tied in a knot at the back of his head. He looks disdainfully down at the crowd. A line of soldiers stands in front of the gallows.
The etching slowly comes alive, giving off a damp heat, a smell of weeds and mud flats and sewage. Vultures roost on the old courthouse of flaking yellow stucco. The gypsy hangmanâthin, effeminate-looking, with greasy crinkled hair and glistening eyesâstands by the gallows with a twisted smirk on his face. The crowd is silent, mouths open, waiting.
At a signal from an officer, a soldier steps forward with an ax and knocks the support from under the platform. Strobe falls and hangs there, his feet a few inches above the limestone paving which is cracked here and there, weeds and vines growing through. Five minutes pass in silence. Vultures wheel overhead. On Strobeâs face is a strange smile. A yellow-green aura surrounds his body.
The silence is shattered by an explosion. Chunks of masonry rain down on the square. The blast swings Strobeâs body in a long arc, his feet brushing the weeds. The soldiers rush offstage, leaving only six men to guard the gallows. The crowd surges forward, pulling out knives, cutlasses, and pistols. The soldiers are disarmed. A lithe boy who looks like a Malay shows white teeth and bright red gums as he throws a knife. The knife catches the hangman in the throat just above the collarbone. He falls squawking and spitting blood like a stricken bird. Captain Strobe is cut down and borne to a waiting carriage.
The carriage careens into a side street. Inside the cart the boy loosens the noose and presses air in and out of Strobeâs lungs. Strobe opens his eyes and writhes in agony from the pricklings and shootings as his circulation returns. The boy gives him a vial of black liquid.
âDrink this, Captain.â
In a few minutes the laudanum takes effect and Strobe is able to walk as they leave the cart. The boy leads the way along a jungle path to a fishing boat moored at a pier on the outskirts of the city. Two younger