Tags:
Fiction,
Sex,
Adult,
Contemporary Romance,
Urban,
Louisiana,
Law Enforcement,
Novel,
small town,
maryland,
Rural,
wilderness,
Man Made Disaster,
Land Pollution,
Water Pollution,
Radioactivity Pollution,
Detective Mystery,
Suburban,
Christianity-Catholicism,
Science-Marine Biology,
Social Sciences-Geography,
Fishing-Fresh Water,
Fishing-Salt Water,
Boat Transportation,
2000-2010,
1960-1969
she snapped, angry that heâd brought up a sensitive subject. She abhorred weakness, more so in herself than in anyone around her.
Cole bypassed her anger. âI want to talk about Libba and Chloe.â
Nola Ruth looked at him and waited.
âThere will be some adjusting to having a child in the house. It wonât be the same.â
âI know that.â
âWeâve only had Libba,â her husband continued. âKids are different today. Chloe is California born and raised. Sheâs not going to settle in right away. I donât think anyone should mention staying here permanently.â
âAre you censoring my speech, Coleson?â
Coleson Delacourte looked at his wife, shriveled and broken, old before her time, but still beautiful. Nola would be beautiful if she lived to be a hundred. It was in her bones and in her eyes and in the lean, exotic length of her. She was first-lady material. Heâd told her that long ago. It had pleased her. There was a time, long ago, when she had been easily pleased. Not anymore. âThatâs exactly what Iâm doing, Nola Ruth,â he said softly.
She did not look away. âYou never cared before,â she said. âWhy now?â
âYouâre wrong,â he said gently. âI cared a great deal.â
Nola Ruth looked down and fidgeted with the fringe of her linen wrap. âI wonât say anything, not unless Libba brings it up first.â
âThank you.â
She hoped heâd go now that heâd said what he came for, but he didnât.
âDo you remember the first time I brought you home?â
âWhy are you bringing that up now?â she asked, impatient, as usual, with his resurrecting the past.
âYou were so young and so lovely.â
âDo you have any idea how that makes me feel, now that Iâm not?â she demanded.
âEveryone ages, Nola Ruth,â he said patiently. âNo need to be sensitive because you arenât twenty-five anymore. Youâre still the loveliest woman Iâve ever known.â
âIâm not sensitive about my age, Coleson, or my looks. Itâs my condition I find hard to tolerate.â
âThe doctors say youâre doing well.â
She didnât look at him. âThatâs encouraging. I wonder how theyâd feel if they were in my place, unable to perform even the smallest act of independence.â
Coleson Delacourte, a spare, fit man looking much younger than his years, shrugged his shoulders. âYouâre one feisty woman, Nola Ruth.â
She didnât answer him. Cole was a good man, a philanthropist. The word no wasnât in his vocabulary. Once, forty years ago, sheâd loved that about him. When had it changed? When had the sensitivity sheâd admired become weakness in her eyes? She couldnât pinpoint a specific moment. Perhaps it happened gradually, when she was no longer grateful, when she realized that he was content to putter at the law, to take those cases that no one else would take, to set aside his fees more often than not, to allow their daughter, their only child, to attend the local public school and then, later, live at home and attend a state university when it was most important for her future to go elsewhere, when all the right people went elsewhere.
Everything Cole did, he did in the name of principle and balancing the scales. He was a civil rights advocate well before it was politically correct, well before Thurgood Marshall and Brown v. Board of Education of Topeka turned everything below the Mason-Dixon Line upside down. In his own way, he was a hero. Nola Ruth had heard him described in exactly those terms. She had no use for heroes. She wanted nothing to do with a martyr who sacrificed his family in the name of righteousness. Because of him Libba had left the Tidewater and gone where no self-respecting Southern woman would think of going, to Hollywood, and with an actor,