Hollywood.”
“Yeah, we do,” Alien Drake said. “I love movies, too, but
Hollywood and movies are not the same thing.” He reached for
Chloe’s hand. “But we definitely adore you.”
Chloe popped open another bag of chips, keeping it just out of
his reach, but then she slipped her hand into his and tilted the
chips toward him as a peace offering. “I know.”
“So Adam Jakes is clearly in phase four?” I asked.
“Obviously,” Chloe said, grinning at Alien Drake’s bemused
look. “What? Even I have to admit, it’s a pretty good theory.”
“And what’s phase five?” I sipped my water, waiting.
Alien Drake hesitated, twining his fingers tighter around
Chloe’s. “Phase five has two branches. Either they figure it out, or
they burn out, supernova style. In which case, the only place we’d
ever see them again is on some third-rate reality TV show.”
“So phase four is kind of the key, sort of determines if the star
burns out,” I said, and Alien Drake nodded, staring up at the dark sky.
30
I thought about Adam Jakes, emerging like a zoo animal from
the shop today, barely blinking away his bored expression; thought
about all his bad press, his strained face all over the magazine cov-
ers. “Given the particular movie star in our sky right now, I think
it’s a great idea for the blog. The life cycle of a star.”
Was that what we saw today? The fading embers of Adam
Jakes?
31
four
the next day, Hollywood returned. Only this time, they caused a
bit more of a stir, shutting down two main streets and blocking
access to a stretch of shops. I could see the flurry of activity from
where I stood in the patio of Little Eats. I knew our locals and it
wouldn’t be long before they started getting grumpy.
Little was named after Daniel Little, a miner who’d struck it
rich on gold in the 1800s. The Daniel Little house, now a hotel, sat
like a sky-blue Buddha at the top point of Main and Pine Streets,
the arms of the Little triangle meeting Gold Street at the bottom.
Each year, tourists flooded Little, taking pictures of it, painting it,
or just wandering through its restaurants, shops, the winery’s tast-
ing room, or Mountain Books. “Where are the billboards?” they
would wonder as they sat in our patio, stabbing at a Cobb salad.
“It’s so cute,” they would sigh to me as I refilled their iced teas.
“You must love living here,” they would say.
Thing was, I did love living here. And I didn’t mind the tour-
ists the way some of the locals did. They were a huge part of our
café, and they gave me a constant reminder of how lucky I was to
live here.
A flurry on the sidewalk caught my eye. Speaking of locals, I
32
watched six of them, backs straight and packed like bowling pins,
storm by the café, their arms full of poster boards taped to yard-
sticks. Protesters. Already?
Then I noticed Nora Trent, thin as a birch tree and six feet
tall. John sometimes joked that Nora could just fasten her protest
poster to a hat and she’d actually look like a picket sign. Nora was
a constant fixture at our house, and she often helped Mom with
some cause or another; still, she always seemed to resent being
second in command, and with Mom off in the Central Valley, Nora
could run her own show.
And now she was heading toward the movie set.
Mom would never have wasted her time on a soft issue like
Hollywood. Gripe about it? Sure. Roll her eyes at it. Absolutely.
But protest it? Never. Mom wasn’t a bumpkin, and she wouldn’t act
like it by toting a picket sign down to a movie set. Rose Moon
would see the bigger picture, would know the kind of money com-
ing into Little would be good for future causes like parks and
stream cleanup. So unless Hollywood started mistreating ani-
mals or dumping chemicals in the river, Mom would stay out of
their way.
It wasn’t like I was siding with Hollywood, but they didn’t
need Nora Trent gumming up their set, and