in stone, rigid and non-smiling. Skinner smiled at Ansel from beneath a wavy bang of carefully- combed black hair. His skinâs ruddy color didnât come from the sun, and his broad cheekbones, and narrow nose told her that he was a Native American. She grinned back.
âAnd this is Doctor LaPierre. She works for the National Park Service.â Outerbridge motioned toward the pretty, full-bodied woman.
LaPierre adjusted the tan straw hat above her black pageboy and moved forward so quickly that large hoop earrings clanked against her rouged cheeks. âEverybody just calls me Dixie. Glad to meet you both.â
âWhatâs your specialty, Doctor?â Dorbandt asked.
âPaleontology. Iâm acting as a consultant.â
Outerbridge edged Dixie smoothly aside and peered carefully at his men. âI want this area secured. Necessary personnel and witnesses only. Go over everything grid by grid. I donât want anything missed.â At his command, the team headed for the river.
Dorbandt fixed his cross-hair on Outerbridge. âA paleontologist. Exactly what type of case are you working?â
The agent didnât bat an eye. âIâm not at liberty to say, Detective, but this incident has just become part of a larger federal investigation. The BLM will be assisting and advising, of course, but weâre in charge of managing, collecting, and preserving evidence. We appreciate your help so far. Iâm sure youâve done a good job. Itâs nothing personal.â Outerbridge followed the canned speech up with a beguiling smile, then stepped away.
Anselâs heart sank. She watched the group retreat out of earshot, then yanked off the stifling smock. Her sizzling glare should have seared through Outerbridgeâs skull, but it didnât. She passed the lab coat to Dorbandt.
âFor once Bieselmore is right,â Ansel admitted. âWeâre screwed.â
Chapter 4
âEven a small mouse has anger.â
Tribe Unknown
Ansel sat at her drawing table and stared at the ink drawing sheâd lined so quickly.
Funny - in her mindâs eye - she had imagined the scene so clearly. Now she didnât like the black and white, prehistoric picture at all.
The clear skies above the Cretaceous coastal marshland were cloudless and hot. Insects flew from a shagbark forest, and dragonflies buzzed over the sluggish wetland waters. Amphibians jumped over the tops of tangled ferns and toppled, rotting tree trunks as a dinosaur herd of thirty-inch high Gasparinisaura skittered to and fro amidst the swampy foliage.
A monstrous bipedal dinosaur crashed through the tree line. The Giganotosaurus opened its mouth and roared, a master predator causing havoc and confusion before selecting his prey. The panicked herbivores scattered as enormous snapping jaws - twice their size - came within striking distance. The chase was on.
The drawing showed the vicious attack from a ground level perspective. The towering Giganotosaurus approached head-on, neck low and reptilian eyes gazing down its massive, bumpy snout. A doomed Gasparinisaurus raced ahead, tail whipping sideways, legs outstretched in mid-leap, spiked front thumb-claws splayed, and beaked head turned to watch the slobbering jaws scant inches away.
It was all wrong. A maw of serrated teeth ringed the Giganotosaurusâ tongue and a yawning, black gullet cavity. The portrait background was too shadowy. The foreground lacked detailing strokes. Every line and dot gravitated toward accentuating that cavernous mouth which eclipsed all other subjects on the page. The overall visual effect was gruesome and frightening.
Ansel threw down her pen. Not exactly what the authors of a new book on momentous Argentine dinosaur discoveries had in mind, she thought. Sheâd been commissioned to create a large portfolio of realistic dinosaur drawings for a U.S. publisher. The majority of drawings had been completed during the last two