library or music room, or whatever you want to call it, is the kitchen, a narrow chamber with a gas stove, a water heater, and a sink. But whereas some food is kept in the filing cabinets in the office, dishes and cooking fat and vegetables are kept in glass-fronted sectional bookcases in the kitchen. No whimsy dictated this. It just happened. From the ceiling of the kitchen hang pieces of bacon, and salami, and black bêche-de-mer. Behind the kitchen is a toilet and a shower. The toilet leaked for five years until a clever and handsome guest fixed it with a piece of chewing gum.
Doc is the owner and operator of the Western Biological Laboratory. Doc is rather small, deceptively small, for he is wiry and very strong and when passionate anger comes on him he can be very fierce. He wears a beard and his face is half Christ and half satyr and his face tells the truth. It is said that he has helped many a girl out of one trouble and into another. Doc has the hands of a brain surgeon, and a cool warm mind. Doc tips his hat to dogs as he drives by and the dogs look up and smile at him. He can kill anything for need but he could not even hurt a feeling for pleasure. He has one great fear—that of getting his head wet, so that summer or winter he ordinarily wears a rain hat. He will wade in a tide pool up to the chest without feeling damp, but a drop of rain water on his head makes him panicky.
Over a period of years Doc dug himself into Cannery Row to an extent not even he suspected. He became the fountain of philosophy and science and art. In the laboratory the girls from Dora’s heard the Plain Songs and Gregorian music for the first time. Lee Chong listened while Li Po was read to him in English. Henri the painter heard for the first time the Book of the Dead and was so moved that he changed his medium. Henri had been painting with glue, iron rust, and colored chicken feathers but he changed and his next four paintings were done entirely with different kinds of nutshells. Doc would listen to any kind of nonsense and change it for you to a kind of wisdom. His mind had no horizon—and his sympathy had no warp. He could talk to children, telling them very profound things so that they understood. He lived in a world of wonders, of excitement. He was concupiscent as a rabbit and gentle as hell. Everyone who knew him was indebted to him. And everyone who thought of him thought next, “I really must do something nice for Doc.”
6
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and
Janwillem van de Wetering