you, Peter. Youâre not an ordinary person at all.â
âIt might be good to be ordinary. A major achievement, far beyond my reach.â
She looked at me, hard. âAre you sure you feel all right?â
6
Tedâs light was on, the top of his gray head just visible in his basement. I hesitated outside my own house, then trotted across the street. I knocked on his basement door, and winced. I withdrew my hand and held it close to me.
âPeter! How are you? Come in, Iâm just setting up something new.â
âWhat happened to the village?â
âI destroyed it. Like a god, I took it down. Iâm making mountains now.â He held up a box of wallpaper paste. âIâm getting bridges in.â
âWhere are the trains?â
âTheyâre put away, but theyâll come back. This whole table will be an Alpine village, circa 1900. I went to the Alps once, you know.â
The smell of wallpaper paste was bland but overpowering. The stir-stick made a solid, sticky noise in a bucket of it. âI mix newspaper with this stuff, and lay it over mountains made of chicken wire.â
âI canât believe you took down your village. It was so pretty.â
âNothing. Waitâll you see this. Iâm buying new trains, too. Hundreds of dollars. Made in Austria. Precision and detail you wouldnât believe.â
âWill there be a town?â
âA village. Twenty or thirty people. And this.â He picked up a small mirror from the clutter of his worktable. âDo you know what this is?â
âWhat is it?â I said, to please him.
âA pond for ice skaters. I think of everything.â
I was sorry to not be able to see his trains run their circuits around the table. There had always been something comforting about watching the trains arrive again and again, with a miniature rumble past the man with the dog, and the boy selling the newspaper, and the gardener with his shovel, none of them moving. Only the train moved, an illogical event in all that stillness, but a sight that always comforted. But I was excited that something new was coming: mountains. An iced pond. And bridges across valleys that did not yet exist.
Ted fumbled at his workbench and found a small black radio with his paste-sticky hand, working the dial with difficulty. A Warriors game sputtered. He adjusted the dial and it came in clearly. The score was tied in the first quarter.
âIâll even have an elk. See him?â
I nudged a small figure on the table beside me. It looked very much unlike a real elk, but I knew that realism was not the point. I wasnât sure what the point was, but I understood it. âWhen will you be done?â
âMonths from now. Whatâs the sense of hurrying? The longer I take, the more satisfying it is. When youâre finished, you really donât have anything to do but start all over again.â
âIt takes so much patience.â
âNo, it doesnât. It takes steady, quiet impatience. The kind that builds real villages. Real mountains, too, I suppose.â
There was a figure leaning against the hood of a car as I crossed the street. I hesitated, power emptying from my body. I kept moving, even though his car was parked directly in my path and there was no way I could reach my doorstep without walking right past him. The figure straightened as I approached and, although I could not see his face in the darkness, I could tell he was looking very closely at me, studying me, taking me in as if he wanted to know everything there was to know about me. I wanted to run; the only thing I could think about was running, and yet I knew if I ran, it would be all over, that the only thing to do was to act calm and behave like nothing in the whole world was wrong.
âPeter?â
I took a step.
âIt is you,â he said.
I moved to where the streetlight fell across his face.
âYouâve grown so