with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good…
and nothing. getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn’t want
anyway.
income tax, sickness, servility, broken
arms, broken heads—all the stuffing
come out like an old pillow.
we have everything and we have nothing.
some do it well enough for a while and
then give way. fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay—
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go!—all
the ones you thought would never go.
days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad. people in
wax museums frozen into their best sterility
are not bad, horrible but not bad. the
cannon, think of the cannon. and toast for
breakfast the coffee hot enough you
know your tongue is still there. three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums. no wonder sometimes the women
cry, no wonder the mules don’t want
to go up the hill. are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it. and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go—walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all. enough
and not enough. arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.
in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you’ll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you’ll keep looking
keep looking
sucking your tongue in a little
ah ah no no maybe
some do it naturally
some obscenely
everywhere.
sway with me
sway with me, everything sad—
madmen in stone houses
without doors,
lepers streaming love and song
frogs trying to figure
the sky;
sway with me, sad things—
fingers split on a forge
old age like breakfast shells
used books, used people
used flowers, used love
I need you
I need you
I need you:
it has run away
like a horse or a dog,
dead or lost
or unforgiving.
lack of almost everything
the essence of the belly
like a white balloon sacked
is disturbing
like the running of feet
on the stairs
when you don’t know
who is there.
of course, if you turn on the radio
you might forget
the fat under your shirt
or the rats lined up in order
like old women on Hollywood Blvd
waiting on a comedy
show.
I think of old men
in four dollar rooms
looking for socks in dresser drawers
while standing in brown underwear
all the time the clock ticking on
warm as a
cobra.
ah, there are some decent things, maybe:
the sky, the circus
the legs of ladies getting out of cars,
the peach coming through the door
like a Mozart symphony.
the scale says 198. that’s what
I weigh. it is 2:10