carwash
a toothpull
a wristwatch, cufflinks
a pocket radio
tweezers and cotton
a cabinet full of iodine,
not wanting cocktail parties
a front lawn
sing-togethers
new shoes, Christmas presents
life insurance, Newsweek
162 baseball games
a vacation in Bermuda.
not wanting not wanting,
and I judge the purple flowers
better off than I
the lizard better off
the dark green hose
the ever grass
the trees the birds,
the cats dreaming in the butter
sun are
better off than
I, getting into this old coat now
feeling for my cigarettes
car keys
a roadmap back,
going out
down the walk
like a man to be executed
walking toward it
surely,
going into it
without guards
driving toward it
racing at it
70 miles per hour,
jockeying
cussing
dropping ashes
deadly ashes of every
deadly thing
burning,
the caterpillar knows less
horror
the armies of ants are
braver
the kiss of a snake
less ravenous,
I only want the sky
to burn me more and more
burn me out
so that the sun begins at
6 in the morning
and goes past midnight
like a drunken door always open,
I drive toward it
not wanting it
getting it getting it
as the cat stretches
yawns
and rolls over into
another dream.
something for the touts, the nuns, the grocery clerks and you…
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there’s something for the touts, the nuns,
the grocery clerks and you…
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it—
one
two
three
and then you’ve got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it’s always early enough to die and
it’s always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost…
they tell you nothing at all.
we have everything and we have nothing—
days with glass edges and the impossible stink
of river moss—worse than shit;
checkerboard days of moves and countermoves,
fagged interest, with as much sense in defeat as
in victory; slow days like mules
humping it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and sucked a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges…
and nothing, and nothing. the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who’d kill you
because they’re crazy and justify it because
it’s the law, men who stand in front of
windows 30 feet wide and see nothing,
men