over it, eh? Letâs just leave it at that.â But John can be fairly persistent, and all of them having been absent from each other, they are now feeling their way back into a tolerance of each otherâs idiosyncrasies.
âIs your husband being serious, Jane?â John says. âHas he become a member of the Church of England Committee for Moral Reform?â Jacob is incensed at this supercilious use of Jane as intermediary. He appears suddenly very large.
âI
am
the Church of England Committee for Moral bloody Reform,â he says ominously. âAnd much more besides, as youâll find out if you try me.â Jane takes Johnâs arm.
âPlease donât rise to him, John,â she says. âItâs not worth it for any of us. We both know how frightfully rhetorical and hystericalJake will get. If you make an issue of this, Jake and I could well end up screaming at each other, because thatâs the way it works, isnât it? Itâs an awful bore for the children and Katherine will feel wretched. Now, if you will just kindly fetch us that very special booze you have in your car, we can drink it with our lunch. Iâve worked like blazes on this lunch, I donât mind telling you, though Jake hasnât noticed. The babes have made you blackberry tarts and whipped up great quantities of cream. Please, John. You must know that with enemies like Jake you donât need friends.â This proves with John to be an effective piece of diplomacy, but Jacob is, alas, not pleased with it.
âJesus Christ, Janie,â he says angrily. âIâll thank you not to bloody well talk about me like that. âHumour the old bastard because heâs a harmless lunatic.â All that. I pay the bloody mortgage here and Iâll lay down the bloody rules if it bloody well suits me. I say who sleeps in what bed here and donât you forget it.â Jane Goldman is impressive in the face of male paranoia.
âI wonât stay and listen to this, Jake,â she says quietly. âAnd neither will Katherine.â We go ahead into the house, where I watch her frying courgettes.
âIâm bound to say you weathered all that with admirable composure,â she says. âMy congratulations to you. Are you as composed as you look?â To my embarrassment I find that I am crying. Jane embraces me remorsefully.
âSweet child,â she says. âHow awful this must be for you. What sods we are.â
âI think Iâd like to go home,â I say. She embraces me. I find it strangely comforting, the contact with a highly pregnant woman. I am the only child of my parents.
âI find that very understandable,â she says. âBut I should be very sorry to see you go.â I cry fairly copiously into her shoulder, wiping mascara on to the yoke of her shirt.
âWhat an old bastard he is to bring you here,â she says, âand raise all this hue and cry. You donât half get all sorts when it comes to men. As for my Jacob, you want to pay him noattention. He behaves like Heathcliff to everyone, you know.â She gets me a wad of kitchen towel. âHeâs very kind, if the truth be known. You wouldnât happen to be his young woman who likes Mrs Weston and her babyâs caps, would you?â
âI think I must be,â I say, sniffing inelegantly.
âWell now,â she says cheerfully, âmy old man is
most
impressed with you. He thinks youâre terrifically bright and he thinks, between us and the gate post, that youâve got the best legs since Marlene Dietrich. What a delightful coincidence to have you here. I canât let John Millet drive you away. I insist that you stay. Can I say, in Jakeâs defence, that he wouldnât ordinarily snoop into your sleeping habits? It is a bit compromising isnât it, for him, though God knows why he has to make a five-act play about it in the vegetable garden