dung below.
The country boy who had never seen anything more metropolitan than Poughkeepsie was tremendously impressed. Buildings of eight or ten stories were common, and there were many of fourteen or fifteen, serviced by pneumatic English lifts, that same marvelous invention which permitted the erection of veritable skyscrapers in Washington and Leesburg.
Above them balloons moved gracefully through the air, guided and controlled as skillfully as old-time sailing vessels. These were not entirely novel to me; I had seen more of them than I had minibiles, but never so many as here. In a single hour, gawking upward, I counted seven, admiring how nicely calculated their courses were, for they seldom came so low as to endanger lives beneath by having to throw out sandbags in order to rise. That they could so maneuver over buildings of greatly uneven height showed this to be the air age indeed.
Most exciting of all was the great number of people who walked, rode, or merely stood around on the streets. It seemed hardly believable so many humans could crowd themselves so closely. Beggars pleaded, touts wheedled, peddlers hawked, newsboys shouted, bootblacks chanted. Messengers pushed their way, loafers yawned, ladies shopped, drunks staggered. For long moments I paused, standing stock-still, not thinking of going on, merely watching the spectacle.
How far I walked, how many different parts of the city I explored that day, I have no idea. I felt I had hardly begun to fondle the sharp edge of wonder when it was twilight and the gas lamps, lit simultaneously by telegraph sparks, gleamed and shone on nearly every corner. Whatever had been drab and dingy in daylight—and even my eyes had not been blind to the dirt and decay—became in an instant magically enchanting, softened and shadowed into mysterious beauty. I breathed the dusty air with a relish I had never known in the country and felt I was inhaling some elixir for the spirit.
But spiritual sustenance is not quite enough for a seventeen-year-old, especially one who is beginning to be hungry and tired. I was desperately anxious to hoard the three precious dollars in my pocket, for I had little idea how to go about replacing them, once they were spent. I could not do without eating, however, so I stopped in at the first gaslit bakery, buying, after some consideration, a penny loaf, and walked on through the entrancing streets, munching at it and feeling like a historical character.
Now the fronts of the tinugraph lyceums were lit up by porters with long tapers, so that they glowed yellow and inviting, each heralded with a boldly lettered broadside or dashingly drawn cartoon advertising the amusement to be found within. I was tempted to see for myself this magical entertainment of pictures taken so close together they gave the illusion of motion, but the lowest admission price was five cents. Some of the more garish theaters, which specialized in the incredible phonotos—tinugraphs ingeniously combined with a sound-producing machine operated by compressed air, so that the pictures seemed not only to move but to talk—actually charged ten or even fifteen cents for an hour's spectacle.
By this time I ached with tiredness; the insignificant bundles of shirt and books had become a burden. I was pressed by the question of where to sleep and began thinking more kindly than I would have believed possible of last night's slum. I didn't connect my need with the glass transparencies behind which gaslight shone through the unpainted letters of BEDS, ROOMS, or HOTEL, for my mind was hazily fixed on some urban version of the inn at Wappinger Falls or the Poughkeepsie Commercial House.
I became more and more confused as fatigue blurred impressions of still newer marvels, so that I am not entirely sure whether it was one or a succession of girls who offered delights for a quarter. I know I was solicited by crimps for the Confederate Legion who operated