on a stool, kept pressed between her legs a turkey-hen, which she was stuffing with balls of flour.
The man had a low forehead, a thin nose, a downward look, and broad shoulders. The woman was very fair-haired, with her cheek-bones speckled with bran, and that air of simplicity which may be seen in the faces of peasants on the windows of churches.
In the kitchen, bundles of hemp hung from the ceiling. Three old guns stood in a row over the upper part of the chimney-piece. A dresser loaded with flowered crockery occupied the space in the middle of the wall; and the window-panes with their green bottle-glass threw over the tin and copper utensils a sickly lustre.
The two Parisians wished to inspect the property, which they had seen only once--and that a mere passing glance. Maître Gouy and his wife escorted them, and then began a litany of complaints.
All the appointments, from the carthouse to the boilery, stood in need of repair. It would be necessary to erect an additional store for the cheese, to put fresh iron on the railings, to raise the boundaries, to deepen the ponds, and to plant anew a considerable number of apple trees in the three enclosures.
Then they went to look at the lands under cultivation. Maître Gouy ran them down, saying that they ate up too much manure; cartage was expensive; it was impossible to get rid of stones; and the bad grass poisoned the meadows. This depreciation of his land lessened the pleasure experienced by Bouvard in walking over it.
They came back by the hollow path under an avenue of beech trees. On this side the house revealed its front and its courtyard. It was painted white, with a coating of yellow. The carthouse and the storehouse, the bakehouse and the woodshed, made, by means of a return, two lower wings. The kitchen communicated with a little hall. Next came the vestibule, a second hall larger than the other, and the drawing-room. The four rooms on the first floor opened on the corridor facing the courtyard. Pécuchet selected one of them for his collections. The last was to be the library; and, on opening some of the presses, they found a few ancient volumes, but they had no fancy for reading the titles of them. The most urgent matter was the garden.
Bouvard, while passing close to the row of elm trees, discovered under their branches a plaster figure of a woman. With two fingers she held wide her petticoat, with her knees bent and her head over her shoulder, as if she were afraid of being surprised.
"I beg your pardon! Don't inconvenience yourself!"--and this pleasantry amused them so much that they kept repeating it twenty times a day for three months.
Meanwhile, the people of Chavignolles were desirous to make their acquaintance. Persons came to look at them through the railed fence. They stopped up the openings with boards. This thwarted the inhabitants. To protect himself from the sun Bouvard wore on his head a handkerchief, fastened so as to look like a turban. Pécuchet wore his cap, and he had a big apron with a pocket in front, in which a pair of pruning-shears, his silk handkerchief, and his snuff-box jostled against one another. Bare-armed, side by side, they dug, weeded, and pruned, imposing tasks on each other, and eating their meals as quickly as ever they could, taking care, however, to drink their coffee on the hillock, in order to enjoy the view.
If they happened to come across a snail, they pounced on it and crushed it, making grimaces with the corners of their mouths, as if they were cracking nuts. They never went out without their grafting implements, and they used to cut the worms in two with such force that the iron of the implement would sink three inches deep. To get rid of caterpillars, they struck the trees furiously with switches.
Bouvard planted a peony in the middle of the grass plot, and tomatoes so that they would hang down like chandeliers under the arch of the arbour.
Pécuchet had a large pit dug in front of the kitchen, and divided
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